| Wellbeing and Integration through Community Music: The Role of Improvisation in a Music Group of Refugees, Asylum Seekers and Local Community Members | 2019/09/03 | English | 16 |
| The Suitability of Genetic Algorithms for Musical Composition | 2003/09/01 | English | 16 |
| Jean-Luc Nancy and the Listening Subject | 2012/12/01 | English | 16 |
| Spectralism | 2000/01/01 | English | 16 |
| Interacting with latter-day musical automata | 1999/01/01 | English | 16 |
| Gender, Creativity and Education in Digital Musics and Sound Art | 2016/01/02 | English | 15 |
| How do we perceive atonal music? Suggestions for a theoretical approach | 1993/01/01 | English | 15 |
| Identification and blend of timbres as a basis for orchestration | 1993/01/01 | English | 15 |
| Defining timbre — Refining timbre | 1994/01/01 | English | 14 |
| Towards a cognitive theory of expression: The performance and perception of rubato | 1989/01/01 | English | 14 |
| Rules for automated performance of ensemble music | 1989/01/01 | English | 14 |
| Some remarks on musical instrument design at STEIM | 1991/01/01 | English | 14 |
| Embodied sound: Aural architectures and the body | 2006/02/01 | English | 13 |
| Composing strategies and pedagogy | 1989/01/01 | English | 13 |
| Guide to the basic concepts and techniques of spectral music | 2000/01/01 | English | 13 |
| TikTok, Twitter, and Platform-Specific Technocultural Discourse in Response to Taylor Swift’s LGBTQ+ Allyship in ‘You Need to Calm Down’ | 2021/01/02 | English | 12 |
| Interacting with Generative Music through Live Coding | 2009/02/01 | English | 12 |
| On Computer-Assisted Orchestration | 2013/02/01 | English | 12 |
| Music cognition and the bodily approach: Musical instruments as tools for musical semantics | 2006/02/01 | English | 11 |
| Generative Music and Laptop Performance | 2003/12/01 | English | 11 |
| Pitch properties of chords of octave-spaced tones | 1993/01/01 | English | 11 |
| Imagining the source: The interplay of realism and abstraction in electroacoustic music | 1996/01/01 | | 11 |
| Speech and music performance: Parallels and contrasts | 1989/01/01 | English | 11 |
| Sound's Modest Witness: Notes on Cage and Modernism | 2012/02/01 | English | 11 |
| Resistance or Reiteration? Rethinking Gender in DJ Cultures | 2016/01/02 | English | 11 |
| Prescriptive notation: Limits and challenges | 2007/04/01 | English | 10 |
| Theoretical Approaches to Quotation in Hip-Hop Recordings | 2014/03/04 | English | 10 |
| Mind the gap: formal structures and psychological processes in music | 1989/01/01 | English | 10 |
| Tonal cognition, artificial intelligence and neural nets | 1989/01/01 | English | 10 |
| Musical Form and Algorithmic Composition | 2009/02/01 | English | 10 |