| Neuroscientific Investigations of Musical Rhythm: Recent Advances and Future Challenges | 2009/06/01 | English | 10 |
| Micro-time sonic design and timbre formation | 1994/01/01 | English | 10 |
| Building an Instrument, Building an Instrumentalist: Helmut Lachenmann'sSerynade | 2013/10/01 | English | 9 |
| ‘Voicing Protest’: Performing Cross-Cultural Revolt in Gambino's ‘This is America’ and Falz's ‘This is Nigeria’ | 2020/01/02 | English | 9 |
| Repetition | 1993/01/01 | English | 9 |
| The aesthetics of interactive music systems | 1999/01/01 | English | 9 |
| Issues on the representation of time and structure in music | 1993/01/01 | English | 9 |
| Sexism and Power Play in the Nigerian Contemporary Hip Hop Culture: The Music of Wizkid | 2020/01/02 | English | 9 |
| Jazz, Mediation, Ontology | 2017/12/11 | English | 9 |
| On the Meaning of Movement in Music, Development and the Brain | 2009/06/01 | English | 8 |
| Real-Time Computer-Aided Composition withbach | 2013/02/01 | English | 8 |
| Thoughts on how to play in tune: pitch and intonation | 2003/03/01 | English | 8 |
| The Revolution of Complex Sounds | 2005/04/01 | English | 8 |
| Spectral music | 2000/01/01 | English | 8 |
| Generativity, mimesis and the human body in music performance | 1993/01/01 | English | 8 |
| Live electronics or…live music? Towards a critique of interaction | 1999/01/01 | English | 8 |
| Kinaesonics: The intertwining relationship of body and sound | 2006/02/01 | English | 8 |
| Mechanisms of cue extraction in memory for musical time | 1993/01/01 | English | 8 |
| Minimal Challenges: Process Music and the Uses of Formalist Analysis | 2006/06/01 | English | 8 |
| On the Evolution of Music Notation in Network Music Environments | 2009/08/01 | English | 8 |
| Network Musics: Play, Engagement and the Democratization of Performance | 2009/08/01 | English | 8 |
| Listening to Communities and Environments | 2017/05/04 | English | 8 |
| Determining the indeterminate1 | 2007/04/01 | English | 7 |
| Improvisation in the Sonosphere | 2006/10/01 | English | 7 |
| Actors and Accidents in South African Electronic Music: An Essay on Multiple Ontologies | 2017/11/24 | English | 7 |
| The Liberation of Sound, Art-Science and the Digital Domain: Contacts With Edgard Varèse | 2004/06/01 | English | 7 |
| Compositional Procedures inTensio | 2013/02/01 | English | 7 |
| Issues in language and music | 1989/01/01 | English | 7 |
| Pierre Schaeffer and the significance of radiophonic art | 1994/01/01 | English | 7 |
| Postmodernism, narrativity, and the art of memory | 1993/01/01 | English | 7 |