Title	Publication Date	Language	Citations
Perspectives from Practice	2015/07/04	English
Some People in Place—The Landscape Quartet	2015/07/04	English
About the Authors	2015/07/04	English
‘Patterns of Ecological and Aesthetic Co-evolution’: Tree-guitars, River-violins and the Ecology of Listening	2015/07/04	English
Rumble Filters: Sonic Environments and Points of Listening	2017/05/04	English
‘Nulli sua forma manebat’: Wolfgang Rihm’s Orchestral PiecesVerwandlung1 and 6	2017/07/04	English
Wolfgang Rihm: Aspects of Unity and Diversity in His Compositional Processes	2017/07/04	English
Wolfgang Rihm and Franz Schubert, an Enigmatic Encounter	2017/07/04	English
Introduction	2016/11/01	English
Breaking Boundaries of Role and Hierarchy in Collaborative Music-Making	2016/11/01	English
About the Authors	2016/11/01	English
Editorial Board	2016/11/01	English
Repurposing the Past? The Historical Basset Clarinet in Creative Collaboration	2016/11/01	English
Lachenmann’s Complex Musical Aspects: Timbre as Interiority or Utopia of Communication?	2017/11/02	English
Gesture-Technology Interactions in Contemporary Music	2016/09/02	English
About the Authors	2016/05/03	English
Music, Place, and the Everyday Sacred: Libby Larsen and Lessons in Environmental Awareness	2016/05/03	English
About the Authors	2016/03/03	English
The American Southwest as Muse: Maggi Payne’s Sonic Desertscapes	2016/05/03	English
Serbian Musical Identity: An Introduction	2022/11/02	English
Deine Zauber binden wieder, was die Mode streng geteilt … Conducting Beethoven’s Ninth as a Case of Public Music Education	2023/04/17	English
Improvising Myth and Memory Downtown: Music Venues, Race, and the Potential of Place	2023/07/04	English
Sonic Directions to the Urban Student: Lyotard, the Megalopolis, and Not Listening as Pedagogy	2023/07/04	English
On the Liberation upon Hearing in the Intermediate State	2024/01/05	English
Experimental Approaches in Portuguese Music Theatre	2023/03/04	English
Reading Queer Continuums inGymnopédie No. 3: A Conversation with Satie, and Cage, and Me (and You)	2023/02/16	English
Globalisation and Musical Identity: The Reception of Serbian Émigré Composers in the United States	2022/11/02	English
The Quality of the Relational—Challenges in a Triangulated Analysis of ‘Theatre-Musicking’ in German Contemporary Theatre	2023/01/02	English
Game Play and Gestalt: Analysing Christian Wolff’s Alternative Notation from the Performers’ Perspectives	2023/01/02	English
The Meticulous Irreverence of José Lopes e Silva: Some Comments on Two Staged Works	2023/03/04	English