| Can Music Influence Language and Cognition? | 2009/06/01 | English | 54 |
| Atonal prolongational structure | 1989/01/01 | English | 42 |
| Psychological constraints on form-bearing dimensions in music | 1989/01/01 | English | 38 |
| A perceptual approach to contemporary musical forms | 1989/01/01 | English | 38 |
| Music and modularity | 1989/01/01 | English | 36 |
| Cognitive constraints on compositional systems | 1992/01/01 | English | 33 |
| Levels of structure in the organization of musical time | 1987/01/01 | English | 32 |
| Soundscape, acoustic communication and environmental sound composition | 1996/01/01 | | 31 |
| Timbral hierarchies | 1987/01/01 | English | 30 |
| Auditory stream segregation and the control of dissonance in polyphonic music | 1987/01/01 | English | 27 |
| The listening imagination: Listening in the electroacoustic era | 1996/01/01 | English | 27 |
| Tempus ex Machina:A composer's reflections on musical time | 1987/01/01 | English | 26 |
| Timbre and composition ‐ timbre and language | 1987/01/01 | English | 25 |
| Music: A science of the mind? | 1987/01/01 | English | 24 |
| Tempo curves considered harmful | 1993/01/01 | English | 24 |
| The “something to hold on to factor” in timbral composition | 1994/01/01 | English | 23 |
| Timbre and harmony: Interpolations of timbral structures | 1987/01/01 | English | 22 |
| The Neural Basis of Individual Holistic and Spectral Sound Perception | 2009/06/01 | English | 21 |
| A computational model of rubato | 1989/01/01 | English | 21 |
| An Introduction to Procedural Music in Video Games | 2009/02/01 | English | 21 |
| Did you say spectral? | 2000/01/01 | English | 19 |
| Music and Evolution: Consequences and Causes | 2003/09/01 | English | 18 |
| On Computational Models of the Evolution of Music: From the Origins of Musical Taste to the Emergence of Grammars | 2003/09/01 | English | 18 |
| Real-world music as composed listening | 1996/01/01 | | 18 |
| Associationism and musical soundtrack phenomena | 1993/01/01 | English | 18 |
| The influence of implicit harmony, rhythm and musical training on the abstraction of “tension-relaxation schemas” in tonal musical phrases | 1993/01/01 | English | 18 |
| A provisional history of spectral music | 2000/01/01 | English | 18 |
| Why do songs have words? | 1989/01/01 | English | 17 |
| The “genetic code” of melody: Cognitive structures generated by the implication-realization model | 1989/01/01 | English | 17 |
| Music, Mediation Theories and Actor-Network Theory | 2018/11/02 | English | 17 |