African American Review

Titel Veröffentlichungsdatum Sprache Zitate
The Named and the Nameless: Morrison's 124 and Naylor's "the Other Place" as Semiotic Chorae2004/01/014
Politics, Process & (Jazz) Performance: Amiri Baraka's "It's Nation Time"2003/01/013
On the Sound of Water: Amiri Baraka's "Black Art"2003/01/013
Other Nature: Resistance to Ecological Hegemony in Charles W. Chesnutt's "The Conjure Woman"2003/01/013
The Logic of Retribution: Amiri Baraka's "Dutchman"2003/01/013
Somebody Blew off Baraka2003/01/013
Fashioning the Body [as] Politic in Julie Dash's "Daughters of the Dust"2004/01/013
"It Ain't Your Color, It's Your Scabbing": Literary Depictions of African American Strikebreakers2004/01/013
Afrofuturism and Post-Soul Possibility in Black Popular Music2007/12/01English3
[Poetry]: Linwood M. Ross1995/01/013
"Sis Cat" as Ethnographer: Self-Presentation and Self-Inscription in Zora Neale Hurston's Mules and Men1992/01/013
Phillis Wheatley's Construction of Otherness and the Rhetoric of Performed Ideology2002/01/013
The Phenomenology of the Allmuseri: Charles Johnson and the Subject of the Narrative of Slavery1992/01/013
Yusef Komunyakaa: The Unified Vision--Canonization and Humanity1993/01/013
"From the Seen to the Told": The Construction of Subjectivity in Toni Morrison's "Beloved"2002/01/013
Reading and Insight in Toni Morrison's Paradise2002/01/013
The Musicality of Language: Redefining History in Suzan-Lori Parks's The Death of the Last Black Man in the Whole Entire World1997/01/013
War and Peace: Transfigured Categories and the Politics of Sula1993/01/013
"The Sea Ain' Got No Back Door": The Problems of Black Consciousness in Paule Marshall's Brown Girl, Brownstones1998/01/013
Dwelling in the House of Oppression: The Spatial, Racial, and Textual Dynamics of Harriet Wilson's Our Nig2001/01/013
Mule Bone: Langston Hughes and Zora Neale Hurston's Dream Deferred of an African-American Theatre of the Black Word2001/01/013
Migrant Labor, Folklore, and Resistance in Hurston's Polk County: Reframing Mules and Men1999/01/013
Toni Morrison's Sula: A Satire on Binary Thinking1996/01/013
Recovering the Conjure Woman: Texts and Contexts in Gloria Naylor's Mama Day1994/01/013
The Haunting of 1241992/01/013
Ishmael Reed's Inductive Narratology of Detection1998/01/013
"A Gentleman of Superior Cultivation and Refinement": Recovering the Biography of Frank J. Webb2001/01/013
Constructing Childhood: The "Christian Recorder" and Literature for Black Children, 1854-18652002/01/013
Paule Marshall's Brown Girl, Brownstones: Reconciling Ethnicity and Individualism1998/01/013
The Negro in Art Week: Defining the "New Negro" Through Art Exhibition1997/01/013