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African American Review
Titel
Veröffentlichungsdatum
Sprache
Zitate
Not Black and/or White: Reading Racial Difference in Heliodorus's Ethiopica and Pauline Hopkins's Of One Blood
2001/01/01
3
Darktown Strutters.
1997/01/01
3
It Didn't Jes Grew: The Social and Aesthetic Significance of African American Music
1995/01/01
3
Whose Role is it Anyway?: Charles Gilpin and the Harlem Renaissance
1995/01/01
3
Pauline Hopkins's "Of One Blood", Africa, and the "Darwinist Trap"
2002/01/01
3
By the Light of My Father's Smile
1999/01/01
3
Fictive Strategies and Cinematic Representations in Toni Morrison's Beloved: Postcolonial Theory/Postcolonial Text
1995/01/01
3
Hybrid Embodiment and an Ethics of Masochism: Nella Larsen's "Passing" and Sherley Anne Williams's "Dessa Rose"
2002/01/01
3
Unmaking the Male Body: The Politics of Masculinity in The Long Dream
1999/01/01
3
Keeping an "Old Wound" Alive: The Marrow of Tradition and the Legacy of Wilmington
1999/01/01
3
Toni Morrison's Jazz and the City
2001/01/01
3
Between the Rock and the Hard Place: Mediating Spaces in Harriet Jacobs's Incidents in the Life of a Slave Girl
1999/01/01
3
Preachin' and Singin' Just to Make It over: The Gospel Impulse as Survival Strategy in Leon Forrest's Bloodworth Trilogy
2002/01/01
3
Repositioning: Center and Margin in Julie Dash's Daughters of the Dust
1995/01/01
3
The White Reception of Jazz in America
2004/01/01
3
Domestic Violence in the Harlem Renaissance: Remaking the Record in Nella Larsen's "Passing" and Toni Morrison's "Jazz"
2004/01/01
3
Langston Hughes's "Mississippi-1955": A Note on Revisions and an Appeal for Reconsideration
2003/01/01
3
Million-Dollar Juke Joint: Commodifying Blues Culture
1995/01/01
3
Sally's Rape: Robbie McCauley's Survival Art
1999/01/01
3
"Our Father, God; our Brother, Christ; or are We Bastard Kin?": Images of Christ in African American Painting
1997/01/01
3
From Midnight Robber
1999/01/01
3
"Some Cord of Kinship Stronger and Deeper Than Blood": An Interview with John F. Callahan, Editor of Ralph Ellison's Juneteenth
2000/01/01
3
Who Owns the Whip?: Chesnutt, Tourgee, and Reconstruction Justice
2002/01/01
3
In Spite of It All: A Reading of Alice Walker's "Everyday Use"
2000/01/01
3
Limited Options: Strategic Maneuverings in Himes's Harlem
1994/01/01
3
"Keepin' it Real": Walter Dean Myers and the Promise of African-American Children's Literature
1998/01/01
3
Sula and Beloved: Images of Cain in the Novels of Toni Morrison
1993/01/01
3
The Black South in Contemporary Film
1993/01/01
3
Dividing the Mind: Contradictory Portraits of Homoerotic Love in Giovanni's Room
1992/01/01
3
The Double Truth, Ruth: Do the Right Thing and the Culture of Ambiguity
1998/01/01
3
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