African American Review

Titel Veröffentlichungsdatum Sprache Zitate
"Black Skins" and White Masks: Comic Books and the Secret of Race2002/01/0130
Comic Book Masculinity and the New Black Superhero1999/01/0118
The Re-Objectification and Re-Commodification of Saartjie Baartman in Suzan-Lori Parks's Venus1997/01/0117
"Ladies First": Queen Latifah's Afrocentric Feminist Music Video1994/01/0116
The Black Arts Movement and Hip-Hop1995/01/0114
The Aesthetics of Rap1995/01/0113
Call and Response as Critical Method: African-American Oral Traditions and Beloved1992/01/0112
An Abiku-Ogbanje Atlas: A Pre-Text for Rereading Soyinka's "Ake" and Morrison's "Beloved"2002/01/0111
Airshafts, Loudspeakers, and the Hip Hop Sample: Contexts and African American Musical Aesthetics1994/01/0111
The Ghosts of Slavery: Historical Recovery in Toni Morrison's Beloved1992/01/0111
The Heartbeat of a West Indian Slave: The History of Mary Prince1992/01/0110
Reading in Color: Children's Book Illustrations and Identity Formation for Black Children in the United States1998/01/0110
"Why don't he Like My Hair?": Constructing African-American Standards of Beauty in Toni Morrison's Song of Solomon and Zora Neale Hurston's Their Eyes were Watching God1995/01/019
"Yours Very Truly": Ellen Craft--The Fugitive as Text and Artifact1994/01/018
The Rhetoric of Quilts: Creating Identity in African-American Children's Literature1998/01/018
Du Bois the Novelist: White Influence, Black Spirit, and The Quest of the Silver Fleece1999/01/018
Inverting History in Octavia Butler's Postmodern Slave Narrative2004/01/017
"Is Race a Trope?": Anna Deavere Smith and the Question of Racial Performativity2003/01/017
Toni Morrison, Oprah Winfrey, and Postmodern Popular Audiences2001/01/017
No Accident: From Black Power to Black Box Office2000/01/017
Focusing on the Wrong Front: Historical Displacement, the Maginot Line, and "The Bluest Eye"2002/01/017
Nella Larsen and the Intertextual Geography of Quicksand2001/01/017
Speaking in Tongues: An Interview with Science Fiction Writer Nalo Hopkinson1999/01/017
"He Made Us Laugh Some": Frederick Douglass's Humor2003/01/017
Post-Black, Old Black2007/12/01English6
A Critical Divination: Reading Sula as Ogbanje-Abiku2004/01/016
"These are the Facts of the Darky's History": Thinking History and Reading Names in Four African American Texts1994/01/016
Possessing the Self: Caribbean Identities in Zora Neale Hurston's Tell My Horse2000/01/016
Prince Hall, Freemasonry, and Genealogy2000/01/016
Black Music on Radio During the Jazz Age1995/01/016