Titel	Veröffentlichungsdatum	Sprache	Zitate
Crossing Western Space, or the HooDoo Detective on the Boundary in Ishmael Reed's "Mumbo Jumbo"	2002/01/01		4
The Fourth Face: The Image of God in Toni Morrison's The Bluest Eye	1998/01/01		4
The Process of Literacy as Communal Involvement in the Narratives of Frederick Douglass	1994/01/01		4
The Story Must Go on and on: The Fantastic, Narration, and Intertextuality in Toni Morrison's Beloved and Jazz	2000/01/01		4
Insiders, Outsiders, and the Question of Authenticity: Who Shall Write for African American Children?	1998/01/01		4
The Mirror and the Veil: The Passing Novel and the Quest for American Racial Identity	1999/01/01		4
"Protection in My Mouf": Self, Voice, and Community in Zora Neale Hurston's Dust Tracks on a Road and Mules and Men	1997/01/01		4
The Enigma of Arrival: The Wonderful Adventures of Mrs. Seacole in Many Lands	1992/01/01		4
Neither Fish, Flesh, nor Fowl: Race and Region in the Writings of Charles W. Chesnutt	2000/01/01		4
Unmasking the Genteel Performer: Elizabeth Keckley's behind the Scenes and the Politics of Public Wrath	2000/01/01		4
Toward a Monistic Idealism: The Thematics of Alice Walker's the Temple of My Familiar	1992/01/01		4
The Bluest Eye: Notes on History, Community, and Black Female Subjectivity	1993/01/01		4
Saint's Progeny: Assotto Saint, Gay Black Poets, and Poetic Agency in the Field of the Queer Symbolic	1999/01/01		4
Haiti and Black Transnationalism: Remapping the Migrant Geography of Home to Harlem	2000/01/01		4
Civilizations Underneath: African Heritage as Cultural Discourse in Toni Morrison's Song of Solomon	1992/01/01		4
Voice and Interiority in Zora Neale Hurston's Their Eyes were Watching God	1994/01/01		4
Self-Delusion and Self-Sacrifice in Nella Larsen's Quicksand	1997/01/01		4
Divided Images: Black Female Spectatorship and John Stahl's Imitation of Life	1998/01/01		4
Gender and Genre: Black Women's Autobiography and the Ideology of Literacy	1992/01/01		4
"To Take the Sin Out of Slicing Trees...": The Law of the Tree in Beloved	1997/01/01		4
Anti-Lynch Plays by African American Women: Race, Gender, and Social Protest in American Drama	1992/01/01		4
Traces of Derrida in Toni Morrison's Jazz	1995/01/01		4
Heroic "Hussies" and "Brilliant Queers": Genderracial Resistance in the Works of Langston Hughes	1994/01/01		4
"And Yet They Paused" and "A Bill to Be Passed": Newly Recovered Lynching Dramas by Georgia Douglas Johnson	1999/01/01		4
Making Books Available: The Role of Early Libraries, Librarians, and Booksellers in the Promotion of African American Children's Literature	1998/01/01		4
Moses and the Egyptian: Religious Authority in Olaudah Equiano's Interesting Narrative	2001/01/01		4
Hysteria and Trauma in Pauline Hopkins' Of One Blood; or, the Hidden Self	1999/01/01		4
The Blues Aesthetic in Toni Morrison's the Bluest Eye	1999/01/01		4
Noir by Noirs: Towards a New Realism in Black Cinema	1993/01/01		4
The Black Church and the Harlem Renaissance	1996/01/01		4