African American Review

Titel Veröffentlichungsdatum Sprache Zitate
Commitment to Change: The Council on Interracial Books for Children and the World of Children's Books1998/01/016
Beneath the Black Aesthetic: James Baldwin's Primer of Black American Masculinity1998/01/016
Toni Morrison's Beloved: Bodies Returned, Modernism Revisited1998/01/016
"That Unreasonable Restless Feeling": The Homosexual Subtexts of Nella Larsen's Passing1992/01/016
Nella Larsen's Passing: Irony and the Critics1992/01/015
"Relate Sexual to Historical": Race, Resistance, and Desire in Gayl Jones's Corregidora2000/01/015
"Mislike Me Not for My Complexion...": Ira Aldridge in Whiteface1999/01/015
Call-and-Response: Parallel "Slave Narrative" in August Wilson's The Piano Lesson1998/01/015
"Looking at One's Self through the Eyes of Others": W.E.B. Du Bois's Photographs for the 1900 Paris Exposition2000/01/015
Violence, Home, and Community in Toni Morrison's Beloved1999/01/015
The Heritage of the Drumset1995/01/015
Maternal Bonds as Devourers of Women's Individuation in Toni Morrison's Beloved1992/01/015
Liberty Censored: Black Living Newspapers of the Federal Theatre Project1995/01/015
The One All-Black Town Worth the Pain: (African) American Exceptionalism, Historical Narration, and the Critique of Nationhood in Toni Morrison's Paradise2001/01/015
A Distaff Dream Deferred? Ann Petry and the Art of Subversion1992/01/015
Trappings of Nationalism in Frederick Douglass's The Heroic Slave2000/01/015
"Love Me Like I Like to Be": The Sexual Politics of Hurston's Their Eyes were Watching God, the Classic Blues, and the Black Women's Club Movement1998/01/015
Representation, Race, and the "Language" of the Ineffable in Toni Morrison's Narrative1999/01/015
Angry Arts: Silence, Speech, and Song in Gayl Jones's Corregidora1994/01/015
Speaking the Body's Pain: Harriet Wilson's Our Nig1993/01/015
He Is a "Bad Mother*$%@!#": "Shaft" and Contemporary Black Masculinity2004/01/015
Theorizing the Post-Soul Aesthetic: An Introduction2007/12/01English5
"Papa Legba, Ouvrier Barriere Por Moi Passer": Esu in "Their Eyes" & Zora Neale Hurston's Diasporic Modernism2004/01/015
Post-Soul Aesthetics in Contemporary African American Art2007/12/01English4
The City as Refuge: Constructing Urban Blackness in Paul Laurence Dunbar's "The Sport of the Gods" and James Weldon Johnson's "The Autobiography of an Ex-Colored Man"2004/01/014
Literature and Urban Crisis: John Edgar Wideman's Philadelphia Fire1998/01/014
The Spirit of Trade: Olaudah Equiano's Conversion, Legalism, and the Merchant's Life1998/01/014
The Yoruba Orisha Tradition Comes to New York City1995/01/014
Racial Hysteria: Female Pathology and Race Politics in Frances Harper's Iola Leroy and W. D. Howells's An Imperative Duty1999/01/014
African/American: Lorraine Hansberry's Les Blancs and the American Civil Rights Movement2001/01/014