Title	Publication Date	Language	Citations
Accommodating creative documentary practice within a revised systems model of creativity	2013/01/01	English	10
Competence or capability: Work-Based Learning and Problem-Based Learning	2005/01/01	English	10
Creating and producing digital content across multiple platforms	2003/01/01	English	10
Virtual communities and translation into physical reality in the ‘It Gets Better’ project	2012/01/01	English	10
Towards a situated media practice: Reflections on the implementation of project- led problem-based learning	2013/01/01	English	9
Teaching the creative class? Media education and the media industries in the age of ‘participatory culture’	2013/01/01	English	9
Twitter City and Facebook Village: teenage girls' personas and experiences influenced by choice architecture in social networking sites	2014/05/04	English	9
Documentary film and the poetics of history	2011/01/01	English	9
From evidence to re-enactment: history, television and documentary film	2015/05/04	English	9
Some thoughts on analysing the screenplay, the process of screenplay writing and the balance between craft and creativity	2007/01/01	English	8
Exploring effective pedagogies for delivering journalism work — based learning in UK higher education	2012/01/01	English	8
Grassroots autonomous media practices: a diversity of tactics	2014/01/02	English	8
Revisiting the evidence: practice submissions to the REF	2015/05/04	English	8
Restless dreams inSilent Hill: approaches to video game analysis	2005/01/01	English	8
Theory/practice and the British film conservatoire	2011/01/01	English	8
The accused is entering the courtroom: the live-tweeting of a murder trial	2017/09/02	English	7
Sounds too true to be good: diegetic infidelity – the case for sound in virtual reality	2017/01/02	English	7
The ‘story’ of digital excess in revolutions of the Arab Spring	2011/01/01	English	7
The unfinished science story: reflections on journalist-audience interactions in the online environment	2009/01/01	English	7
Introduction	2005/01/01	English	7
From ‘doing’ to ‘knowing what you are doing’: Kolb's learning theory in teaching documentary practice	2006/01/01	English	7
Multiplicity and multiplexing in today's cinemas: Diasporic cinema, art cinema, and mainstream cinema	2010/01/01	English	7
Art, activism and the geopolitical imagination: Ai Weiwei's ‘Sunflower Seeds’	2012/01/01	English	7
The efficacy of professional experience in the ethnographic investigation of production	2010/01/01	English	6
Gratitude: does it have a place within media-practice education?	2016/09/01	English	6
Reporting the voices of the voiceless during the miners' strike: An early form of ‘citizen journalism’	2011/01/01	English	6
Competencies and success of motion picture actors: a resource-based and competence-based empirical analysis	2016/01/02	English	6
A media campaign for ourselves: building organizational media capacity through participatory action research	2015/09/02	English	6
Locating a ‘third voice’: participatory filmmaking and the everyday in rural India	2016/09/01	English	6
The spectator in the film-maker: re-framing filmology through creative film-making practices	2016/09/01	English	6