Title	Publication Date	Language	Citations
On Vocal Assemblages: From Edison to Miku	2017/11/22	English	7
‘Beyond the Dance Floor’? Gendered Publics and Creative Practices in Electronic Dance Music	2016/01/02	English	7
Performance without Barriers: Improvising with Inclusive and Accessible Digital Musical Instruments	2019/09/03	English	7
Sound::Gender::Feminism::Activism: Research and Challenges to the Orthodoxies of Sound Arts	2016/01/02	English	7
Notating the Unpredictable	2010/02/01	English	7
The Telematic Music System: Affordances for a New Instrument to Shape the Music of Tomorrow	2009/08/01	English	7
Tapping into the Internet as an Acoustical/Musical Medium	2009/08/01	English	6
John Cage in Separate Togetherness with Jazz	2012/02/01	English	6
In re: ‘Experimental Music’	2012/02/01	English	6
Acoustic Ecology 2.0	2017/05/04	English	6
Shifting Gender in Electronic Music: DIY and Maker Communities	2016/01/02	English	6
Feminised Noise and the ‘Dotted Line’ of Sonic Experimentalism	2016/01/02	English	6
‘Collaboration’ in Contemporary Music: A Theoretical View	2016/11/01	English	6
Tone representation and just intervals in contemporary music	2006/06/01	English	6
György Ligeti and the Aka Pygmies Project	2006/06/01	English	6
Spiritual-temporal imagery in music of Olivier Messiaen and Toru Takemitsu	1993/01/01	English	6
Beyond Skill Acquisition: Improvisation, Interdisciplinarity, and Enactive Music Cognition	2019/09/03	English	6
Violence, Sexuality and Youth Linguistic Behaviour: An Exploration of Contemporary Nigerian Youth Music	2020/01/02	English	6
Are You Ready for It? Re-Evaluating Taylor Swift	2021/01/02	English	6
Rancière's Equal Music	2012/12/01	English	6
Gestures in Contemporary Music Performance: A Method to Assist the Performer’s Artistic Process	2016/09/02	English	6
Love and Business: Taylor Swift as Celebrity, Businesswoman, and Advocate	2021/01/02	English	6
When Violins Were Trees: Resistance, Memory, and Performance in the Preparatory Experiments forLandscape Quartet, a Contemporary Environmental Sound Art Project	2013/06/01	English	6
On structuralism	1995/01/01	English	6
Performances in early Hollywood sound films: Source music, background music, and the integrated sound track	2000/01/01	English	6
Modelling musical cognition	1989/01/01	English	6
Composing in real-time?	1999/01/01	English	6
Metabolae, arborescences and the reconstruction of time in Iannis Xenakis'Psappha	1993/01/01	English	6
The analysis of electronic music	1984/01/01	English	6
Real-world sounds and simulacra in my computer music	1996/01/01		6