Studies in Australasian Cinema

Title Publication Date Language Citations
Changing accents: Place, voice andTop of the Lake2018/01/02English4
Cowboy contradictions: Westerns in the postcolonial Pacific2013/01/01English3
A promise of change:52 Tuesdays(2013) – a case study of collaborative, low-budget feature-filmmaking practice2014/09/02English3
Pursuing extreme romance: change and continuity in the creative screen industries in the Hunter Valley2014/09/02English3
The art of government: Khoa Do's The Finished People and the policy reform of Community Cultural Development2008/01/01English3
‘Small-fry’: suburban decline and the global outback in recent Asian Australian cinema2008/01/01English3
Framing the beach: a tourist reading ofThe Piano2009/01/01English3
Putting Australian and New Zealand horror movies on the map of cinema studies2010/01/01English3
Never-Never Land: affective landscapes, the touristic gaze and heterotopic space inAustralia2010/01/01English3
Re-visioning screen production education through the lens of creative practice: an Australian film school example2018/09/02English3
Understanding the dynamics between the United States and Australian film markets: testing the ‘10% rule’2018/01/02English3
Out in the open: locating new vernacular practices with smartphone cameras2015/10/19English3
Capture, hold, release: an ontology of motion capture2015/10/19English3
The Babadookand the haunted space between high and low genres in the Australian horror tradition2017/01/02English3
The beak that grips: maternal indifference, ambivalence and the abject in The Babadook2017/01/02English3
Collaboration, critique and a community of peers: the benefits of peer learning groups for screen production research degrees2016/01/02English3
Rumblings from Australia's deep south: Tasmanian Gothic on-screen2011/01/01English3
The evolution of Australian mobile screens: New technology, new formats, new business models2012/01/01English3
Moving with the times: D-cinema and DCP festivals2012/01/01English3
Rural cinema audiences in South Australia in the 1930s2007/01/01English3
Cinema, community and policy: contexts and pretexts for the Regional Cinema Program in New South Wales, Australia2007/01/01English3
Everyone was watching! Strategies of self-presentation in oral histories of cinema-going2007/01/01English3
Rethinking distribution: developing the parameters for a micro-analysis of the movement of motion pictures2007/01/01English3
Doing ‘the other’ over: narrative conservatism in radical popular films2009/01/01English3
‘Just ask “what if?” and go from there’: the role of mainstream story structures in women’s web series script development2021/05/04English3
Walking the edge: performance, the cinematic body and the cultural mediator in Ivan Sen'sMystery Road2015/08/20English3
Looking back in order to look forward: re-scripting and re-framing screen production research2015/05/04English3
Self-distribution andMary Meets Mohammad: towards ethical witnessing2015/01/02English3
Festival circus, golden gnomes and cultural diplomacy. The Audi Festival of German films in the context of multicultural festivals in Australia2015/05/04English3
Australians in a vacuum: the socio-political ‘stuff’ in Rachel Perkins' Radiance2008/01/01English3