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Studies in Australasian Cinema
Title
Publication Date
Language
Citations
Changing accents: Place, voice andTop of the Lake
2018/01/02
English
4
Cowboy contradictions: Westerns in the postcolonial Pacific
2013/01/01
English
3
A promise of change:52 Tuesdays(2013) – a case study of collaborative, low-budget feature-filmmaking practice
2014/09/02
English
3
Pursuing extreme romance: change and continuity in the creative screen industries in the Hunter Valley
2014/09/02
English
3
The art of government: Khoa Do's The Finished People and the policy reform of Community Cultural Development
2008/01/01
English
3
‘Small-fry’: suburban decline and the global outback in recent Asian Australian cinema
2008/01/01
English
3
Framing the beach: a tourist reading ofThe Piano
2009/01/01
English
3
Putting Australian and New Zealand horror movies on the map of cinema studies
2010/01/01
English
3
Never-Never Land: affective landscapes, the touristic gaze and heterotopic space inAustralia
2010/01/01
English
3
Re-visioning screen production education through the lens of creative practice: an Australian film school example
2018/09/02
English
3
Understanding the dynamics between the United States and Australian film markets: testing the ‘10% rule’
2018/01/02
English
3
Out in the open: locating new vernacular practices with smartphone cameras
2015/10/19
English
3
Capture, hold, release: an ontology of motion capture
2015/10/19
English
3
The Babadookand the haunted space between high and low genres in the Australian horror tradition
2017/01/02
English
3
The beak that grips: maternal indifference, ambivalence and the abject in The Babadook
2017/01/02
English
3
Collaboration, critique and a community of peers: the benefits of peer learning groups for screen production research degrees
2016/01/02
English
3
Rumblings from Australia's deep south: Tasmanian Gothic on-screen
2011/01/01
English
3
The evolution of Australian mobile screens: New technology, new formats, new business models
2012/01/01
English
3
Moving with the times: D-cinema and DCP festivals
2012/01/01
English
3
Rural cinema audiences in South Australia in the 1930s
2007/01/01
English
3
Cinema, community and policy: contexts and pretexts for the Regional Cinema Program in New South Wales, Australia
2007/01/01
English
3
Everyone was watching! Strategies of self-presentation in oral histories of cinema-going
2007/01/01
English
3
Rethinking distribution: developing the parameters for a micro-analysis of the movement of motion pictures
2007/01/01
English
3
Doing ‘the other’ over: narrative conservatism in radical popular films
2009/01/01
English
3
‘Just ask “what if?” and go from there’: the role of mainstream story structures in women’s web series script development
2021/05/04
English
3
Walking the edge: performance, the cinematic body and the cultural mediator in Ivan Sen'sMystery Road
2015/08/20
English
3
Looking back in order to look forward: re-scripting and re-framing screen production research
2015/05/04
English
3
Self-distribution andMary Meets Mohammad: towards ethical witnessing
2015/01/02
English
3
Festival circus, golden gnomes and cultural diplomacy. The Audi Festival of German films in the context of multicultural festivals in Australia
2015/05/04
English
3
Australians in a vacuum: the socio-political ‘stuff’ in Rachel Perkins' Radiance
2008/01/01
English
3
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