Studies in Australasian Cinema

Title Publication Date Language Citations
Compulsory screening: border protection, migration and the Australian screen2009/01/01English
Giving spaces/spaces of giving: accommodation inFloating Life2009/01/01English
Travelling towards ourselves: rights and recognition in Clara Law's Letters to Ali2009/01/01English
Editorial2009/01/01English
A cultural affair to remember: nostalgia, whiteness and migration in Love's Brother2009/01/01English
Stowaways on their father's ships: European immigration and Australian film2009/01/01English
Law and identity at the fence2009/01/01English
History and memory in Ngunnawal country, and the making ofJedda2013/01/01English
RAN: Remote Area Nurse:SBS protocols, grassroots collaboration and the quality miniseries2013/01/01English
Tracing lineages: The work of remembering, mourning and honouring in Romaine Moreton's The Farm2013/01/01English
Whose story is reclaimed in The Home Song Stories?2008/01/01English
Lieux et non-lieux: subverting spaces of recognition and belonging inLooking for Alibrandi2008/01/01English
Guest editorial2007/01/01English
Exploiting the regional Queensland audience: Birch Carroll and Coyle's Wintergarden theatres, 1925–352007/01/01English
Film distribution and delivery outlets in New Zealand: a transnational phase and some implications for local films and diversity2017/09/02English
Journal editor's note2016/01/02English
Journal editor’s note2016/09/01English
Screen memories: film’s knowing and historical trauma in The Tracker2016/09/01English
Making neighbours of the natives: colonial development, political independence, and documentary depictions of Western Samoa2018/01/02English
Cinematic visions of Australian colonial authority inCaptain Thunderbolt(1953),Robbery Under Arms(1957) andEureka Stockade(1949)2016/05/03English
South of Ealing: recasting a British studio’s antipodean escapade2016/05/03English
‘A most miserable hotchpotch’: Charles Bean and the origins of the First World War film collection2016/05/03English
Editor’s Note2023/09/02English
The impacts of ethnic and mainstream culture on Māori-themed films2023/10/26English
From creativity to disruption: introduction to the double issue2023/05/04English
Disrupting the self: script development within the academy2023/05/04English
Introduction2023/05/04English
Investigating older women as lead protagonists: an Australian case study of Stateless (2020)2023/05/04English
Mad Max and the Western2023/09/02English
‘Falling leaves return to their roots’? The reception of Chinese blockbusters by Chinese university students in New Zealand2023/09/02English