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Studies in Australasian Cinema
Title
Publication Date
Language
Citations
Australian (Inter)national Cinema: The Royal Commission on the Moving Picture Industry in Australia, 1926–1928., Australasian Films Ltd. and the American monopoly
2012/01/01
English
Inside the outside: Aspirations of authenticity in the representation of Lebanese-Australian youth in Serhat Caradee's Cedar Boys
2012/01/01
English
Tokyo drifting: Toei Corporation's The Drifting Avenger and the internationalization of the Australian western
2010/01/01
English
‘I knew I should've taken that left turn at Albuquerque’: The Warner Bros. Cartoon down under
2010/01/01
English
Index—Volume 4
2010/01/01
English
Editorial
2010/01/01
English
Dead on arrival: The fate of Australian film noir
2010/01/01
English
‘International outlaws’: Tony Richardson, Mick Jagger and Ned Kelly
2010/01/01
English
FramingMao's Last Danceras a musical biopic
2014/01/02
English
Festival director's report: Sydney underground film festival – a community of cinema junkies
2015/05/04
English
Journal editor's note
2015/05/04
English
Re-thinking ancillary: Australian screen content in education
2015/05/04
English
The film exhibitors’ Royal Commission
2015/09/02
English
‘Masking madness with gaiety’: innovating sound exhibition in Australia and the Royal Commission's failure to prevent the talkie wars
2015/09/02
English
Reel New Zealanders: Contesting tokenism and ethnic stereotyping in Roseanne Liang'sTake 3
2011/01/01
English
Period features, heritage cinema: Region, gender and race in The Irishman
2011/01/01
English
When it all started: Politics and policies of the Australian film industry from the revival to the international breakthrough
2011/01/01
English
Cleaning up the queer: Sex, love and ideology in Stephen Wallace'sFor Love Alone
2011/01/01
English
Reviews
2011/01/01
English
Education paths for documentary distribution: DAF, ATOM and the study guides that bind them
2015/01/02
English
Editorial Board
2014/09/02
English
Screen culture in a reflective mood
2014/09/02
English
From Martyr to Robo-Nurse: the portrayal of Australian nurses on screen
2014/09/02
English
Cinema, modernity, modernism: Selected papers from the XVth Biennial Conference of the Film and History Association of Australia and New Zealand (FHAANZ), University of New South Wales, Sydney, Australia
2011/01/01
English
The Petrov Affair: An ambivalent migrant narrative
2011/01/01
English
The return of 1960s modernist cinema
2011/01/01
English
‘Modern’ cinematic encounters: Border crossing and environmental transformation in some recent Australian films
2011/01/01
English
Reviews
2011/01/01
English
Shooting cinematic outlaws: Ned Kelly and Jesse James as viewed through film
2011/01/01
English
The lust of the eye and the thrill of the flesh
2011/01/01
English
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