| Blowing in the China Wind: Engagements with Chineseness in Hong Kong'sZhongguofengMusic Videos | 2010/12/10 | English | 13 |
| How Visual Figures Speak: Narrative Inventions of "The Pastoralist" in East Africa | 2002/01/01 | English | 13 |
| The Importance of Photo-interviewing as a Research Method in the Study of Identity Construction Processes: An Illustration from the U.S.–Mexico Border | 2013/01/01 | English | 13 |
| The Martyrs' Museum in Tehran: Visualizing Memory in Post-Revolutionary Iran | 2012/01/01 | English | 13 |
| Classification and fantasy in the photographic construction of caste and tribe | 1990/01/01 | English | 13 |
| Metaphors we move by | 1996/07/01 | English | 13 |
| The paradox of primitivism: Native rights and the problem of imagery in cultural survival films | 1997/02/01 | English | 13 |
| On Ancestral Self-Fashioning: Photography in the Time of AIDS | 2008/07/18 | English | 13 |
| Psychospiritual ecoscience: The Ju/'hoansi and cultural tourism | 1999/01/01 | English | 12 |
| Nomadic Savages, Ochre People and Heroic Herders: Visual Presentations of the Himba of Namibia's Kaokoland | 2002/01/01 | English | 12 |
| Persistent Popular Images of Pastoralists | 2002/01/01 | English | 12 |
| Echoing images: The construction of savagery among Papua new Guinean villagers | 1992/01/01 | English | 12 |
| Visions of modernity in Ghana: Mami Wata shrines, photo studios and horror films | 2001/09/01 | English | 12 |
| The “ethnographic surrealism” of Jean Rouch | 1989/01/01 | English | 12 |
| Truth, beauty, and pintupi painting | 1989/01/01 | English | 12 |
| “Two kinds of bioscope”: Practical community concerns and ethnographic film in Namibia | 1999/01/01 | English | 12 |
| Knowledge as the source of progress: The Marshall family testament to the “Bushmen” | 1999/01/01 | English | 12 |
| Conversation between Jean Rouch and Professor Enrico Fulchignoni | 1989/01/01 | English | 11 |
| Some uses of photographs in recovering cultural history at the royal court of Benin, Nigeria | 1990/01/01 | English | 11 |
| Photography as a research tool | 1991/01/01 | English | 11 |
| Mise en scène, Knowledge and Participation: Considerations of a Filming Anthropologist | 2011/03/16 | English | 11 |
| "…We Have to Work with our own Heads" (/Angn!ao): San Bushmen and the Media | 2002/01/01 | English | 11 |
| The sight of cruelty: The case of circus animal acts | 1997/10/01 | English | 11 |
| Media friend or media foe? | 1987/11/01 | English | 11 |
| Impressions of the African past: Interpreting ethnographic photographs from Cameroon | 1990/01/01 | English | 11 |
| Ethnographic film: Technology, practice and anthropological theory | 2000/01/01 | English | 10 |
| Photo hierarchicus: Signs and mirrors in indian photography | 1992/01/01 | English | 10 |
| Orality, rhythmography and visual representation | 1997/01/01 | English | 10 |
| Moustache hairs lost: Ramadan television serials and the construction of identity in Damascus, Syria | 1998/01/01 | English | 10 |
| Through Navajo children's eyes: Cultural influences on representational abilities | 1994/01/01 | English | 10 |