| Photographic “types”: The pursuit of method | 1990/01/01 | English | 43 |
| The visual ethnographic narrative1 | 1987/11/01 | English | 40 |
| Images, Senses and Applications: Engaging Visual Anthropology | 2011/10/01 | English | 31 |
| Contemporary Fieldwork Aesthetics in Art and Anthropology: Experiments in Collaboration and Intervention | 2010/07/15 | English | 30 |
| Visual anthropology's contribution to the field of anthropology | 1987/11/01 | English | 29 |
| Combining native instant photography and photo‐elicitation | 1991/01/01 | English | 28 |
| Risky Business: Race, Nonequivalence and the Humanitarian Politics of Life | 2016/02/06 | English | 22 |
| “It's destroying a whole generation”: Television and moral discourse in Belize | 1993/01/01 | English | 22 |
| Photography and individualization in contemporary Africa: An Ivoirian case‐study | 2001/09/01 | English | 21 |
| Routes to Interiorities: Art Therapy and Knowing in Anthropology | 2010/02/04 | English | 20 |
| Hybridization and the Emergence of “Gay” Identities in Hong Kong and in China | 2010/12/10 | English | 20 |
| The Prophetic Faculty of Epidemic Photography: Chinese Wet Markets and the Imagination of the Next Pandemic | 2016/02/06 | English | 20 |
| Visions of Blood, Sex and Money: Fantasy Spaces in Popular Ghanaian Cinema | 2003/03/13 | English | 19 |
| Visualizing Memories: The Hector Pieterson Memorial in Soweto | 2006/07/01 | English | 18 |
| Where Is the Theory in Visual Anthropology? | 2014/09/25 | English | 17 |
| The Epidemiologist as Culture Hero: Visualizing Humanity in the Age of “the Next Pandemic” | 2015/12/11 | English | 17 |
| The anthropologist as photographer: The visual construction of ethnographic authority | 2000/01/01 | English | 16 |
| Active viewing: An Ethnography of the Indian film audience | 1998/01/01 | English | 16 |
| Advertising Modernity: Home, Space and Privacy1 | 2005/01/24 | English | 16 |
| The Authentic (In)Authentic: Bushman Anthro‐Tourism | 1999/01/01 | English | 15 |
| Social diversity and changes in the form and appearance of the Qatari house | 1998/01/01 | English | 15 |
| The Business of “Getting Up”: Street Art and Marketing in Los Angeles | 2010/02/04 | English | 15 |
| Articulating Cultural Pluralism through Public Art as Heritage in South Africa | 2010/02/04 | English | 15 |
| Historical photographs as anthropological documents: A retrospect | 1990/01/01 | English | 15 |
| From the Light of the Eyes to the Eyes of the Power: State and Dissident Martyrs in Post-Revolutionary Iran | 2012/01/01 | English | 15 |
| Repeat Photography as a Method in Visual Anthropology | 2007/02/22 | English | 14 |
| But Where Are the Cattle? Popular Images of Maasai and Zulu across the Twentieth Century | 2002/01/01 | English | 14 |
| Themes in the cinema of Jean Rouch | 1989/01/01 | English | 14 |
| Everyday Hybridity and Hong Kong's Muslim Youth | 2010/12/10 | English | 14 |
| Brand Hong Kong: Asia's World City as Method? | 2010/12/10 | English | 14 |