New Review of Film and Television Studies

Title Publication Date Language Citations
TELE‐BRANDING IN TVIII2007/04/01English24
FROM THE BOX IN THE CORNER TO THE BOX SET ON THE SHELF2007/04/01English23
Film tourism as heritage tourism: Scotland, diaspora andThe Da Vinci Code(2006)2014/01/31English20
Complex narratives2008/08/01English20
INVITING AUDIENCES IN2007/04/01English19
The male gaze is more relevant, and more dangerous, than ever2017/10/02English17
THE SOURCE–PATH–GOAL SCHEMA IN THE AUTOBIOGRAPHICAL JOURNEY DOCUMENTARY2006/12/01English16
Media archaeology as symptom2016/03/16English16
Landscapes in the frame: exploring the hinterlands of the British procedural drama2016/05/31English13
Teen heroine TV: narrative complexity and sexual violence in female-fronted teen drama series2013/12/01English12
Telling stories: the narrative study of documentary ethics2012/09/01English11
James Cameron'sAvatar: access for all2011/09/01English11
Dis/liking disgust: the revulsion experience at the movies2009/09/01English11
‘The truth is out there! Not!’:Shamelessand the moral structures of contemporary social realism2009/12/01English11
Wes Anderson: a ‘smart’ director of the new sincerity?2012/03/01English10
Rethinking genre studies through distribution analysis: issues in international horror movie circuits2011/06/01English10
Putting television ‘aside’: novel narration inHouse of Cards2014/03/04English10
Contingency, causality, complexity: distributed agency in the mind-game film2017/12/20English10
The shape of 19592009/12/01English9
Screening nature (and the nature of the screen)2015/07/03English9
CINEMA AS SECOND SKIN2006/08/01English9
POST‐CLASSICAL NARRATION2006/12/01English9
Art cinema and New Hollywood: multiform narrative and sonic metalepsis inEternal Sunshine of the Spotless Mind2009/06/01English8
‘Same old song’: on audio-visual style in the films of Wes Anderson2012/03/01English8
Wes Anderson, tone and the quirky sensibility2012/03/01English8
Perceived ethical conflicts in US documentary filmmaking: a field report2012/09/01English8
Neoliberal theory and film studies2019/07/03English8
Collaboration and ethics in documentary filmmaking – a case study2012/09/01English8
FIGHT CLUBS, AMERICAN PSYCHOS AND MEMENTOS2005/11/01English8
Pushing the contradictions of the digital: ‘virtual reality’ and ‘interactive narrative’ as oxymorons between narrative and gaming2014/06/24English7