The fantasies of Black Final Girls | 2024/01/02 | English | |
Reese Witherspoon’s popular feminism: adaptation and authorship in
Big Little Lies | 2024/01/02 | English | |
‘This is my house now!’:
Fighting with My Family
, the female underdog and constructing a public history of WWE | 2024/01/02 | English | |
Their own best creations: women writers in postwar television
Their own best creations: women writers in postwar television
, by Annie Berke, Oakland, University of California Press, 2022, 302 pp., $29.95 (paperback), ISBN 9780520300798 | 2024/01/02 | English | |
“I want to be good:” morality, faith, and female spectatorial pleasure during World War I | 2024/01/02 | English | |
Woman up: invoking feminism in quality television
Woman up: invoking feminism in quality television
, by Julia Havas, Detroit, Wayne State University Press, 2022, 282 pp., $34.99 (paperback), ISBN 9780814346563 | 2024/01/02 | English | |
“Some things are proper, and some things are not”: forgotten men and disciplined women in
My Man Godfrey | 2024/01/02 | English | |
Lost souls, victims and deviants: radicalization and gender in
Agents of S.H.I.E.L.D
. | 2024/01/02 | English | |
Labors of love | 2024/01/02 | English | |
Screening contemporary Irish fiction and drama
Screening contemporary Irish fiction and drama
, edited by Marc C. Conner, Julie Grossman, and R. Barton Palmer, Cham, Palgrave Macmillan, 2022, 292 pp., $109.99 (hardcover), ISBN 9783031045677 | 2024/01/02 | English | |
“The mother is a child, too”: neoliberal segmentarity, reproductive futurism, and relationality in
Enlightened | 2024/01/02 | English | |
Adaptation, authorship and the critical conversations of
Little Fires Everywhere | 2024/01/02 | English | |
Cityscapes, trance states, and women walking: embodied practices of walking in experimental film and video | 2024/01/02 | English | |
Introduction: women’s authorship and adaptation in contemporary television | 2024/01/02 | English | |
Shit happens on the big screen: faecal motifs in contemporary film | 2024/01/02 | English | |
Ghost riders: Kelly Reichardt, certain women, certain men | 2024/01/02 | English | |
I’ll Be Gone in the Dark
: feminism and the adaptation of true crime in the #MeToo era | 2024/01/02 | English | |
Televisual authorship and the affective feminism of HBO’s
Sharp Objects
adaptation | 2024/01/02 | English | |
Roundtable on women’s authorship and adaptation in contemporary television | 2024/01/02 | English | |
Earners and spenders, husbands and wives: the affective restraints on women’s labor in high Cold War American sitcoms | 2024/01/02 | English | |
Girls gone wild: animality, female teenagers, and disidentification in contemporary European cinema | 2024/01/02 | English | |
Othered form and insectile subjectile:
Under the Skin | 2024/01/02 | English | |
Futures past and present: history, architecture and dystopia in
Brazil
(1985) and the
Hunger Games
series (2012-15) | 2024/01/04 | English | |
How documentaries went mainstream: a history, 1960–2022
How documentaries went mainstream: a history, 1960–2022
, by Nora Stone, Oxford, Oxford University Press, 2023, 240 pp., $34.95 (paperback), ISBN 9780197557303 | 2023/10/02 | English | |
Of fleas and
Parasite
: unpacking class and space in Bong Joon-ho’s
Barking Dogs Never Bite | 2023/10/02 | English | |
Screen media and the construction of nostalgia in post-socialist China
Screen media and the construction of nostalgia in post-socialist China
, by Zhun Gu, Singapore, Palgrave Macmillan, 2023, 240 pp., $119.99 (hardcover), ISBN: 9789811974939 | 2023/10/02 | English | |
Child spectators: towards a phenomenological perspective on the imaginary transformations of reality | 2023/03/20 | English | |
Perplexing plots: popular storytelling and the poetics of murder | 2023/07/03 | English | |
“Have you got any soul?”: reinterpreting
High Fidelity
’s relationship to Black cultural production | 2023/06/12 | English | |
Diegetic existence: transmedia instauration in artists’ cinema | 2023/09/26 | English | |