Journal of Aesthetics & Culture

Title Publication Date Language Citations
Digital scenography and the mimetic aporia of Richard Wagner's Ring Cycle2015/01/01English
Academic knowing in/through double perspectives2015/01/01English
Passion at the threshold: Doctor Glas the flaneur in the films of Rune Carlstén and Mai Zetterling2010/01/01English
Editorial2013/01/01English
New Nordic comics—a question of promotion?2016/01/01English
On the destruction of musical instruments2016/01/01English
The aesthetic judgment “This is art” in Stanley Cavell and Thierry de Duve2021/01/01English
The Europeanization of national museums: Europoeic media and situated knowledges2019/11/22English
Legislative arts: interplays of art and law2022/02/27English
How does a film remember? Cinematic memory as a living constellation inEl escarabajo de oro o Victorias Hämnd2022/03/01English
The register of the artist2021/01/01English
Machinic enculturation, copyright bots, and the aesthetics of composing mashups for machines2020/01/01English
Poetic objectification of a shattered subject: the alchemical poetry of Josep Palau i Fabre2021/01/01English
Introduction to the dossier on transnational cultural memory2011/01/01English
Transnational archives: the Canadian case2011/01/01English
Structuralism in architecture: a definition2011/01/01English
Our Land, Our People: reconsidering site-specificity in exile2022/05/31English
Azamba publics: containment, care and curating in the “expanded private sphere”2022/06/01English
On patheme: affective shifts and Gustavian culture2023/05/08English
Metaphysics of the sequence shot: the gathering and nihilating of being in Béla Tarr’s The Turin Horse2023/12/25English
No count! BIPoC artists counteracting “fair” representation and systemic racial loneliness in higher education in the arts2022/03/11English
Unconditional hospitality: art and commons under planetary migration2022/03/11English
The roads of rage and ruin: contemporary art and its publics after the global2021/01/01English
Art criticism and the newness of video art: the reception of video art in the Swedish daily press, 1985–19912020/01/01English
Comparative counter-archival creativity: M. NourbeSe Philip’s Zong! and La Vaughn Belle’s Chaney2021/01/01English
The politics of arrival: Israeli borderscapes and the boundaries of artistic space in Emi Sfard’sInvasive Species2021/01/01English
The artwork’s community2020/01/01English
Ariella Aïsha Azoulay and Georges Didi-Huberman: the persistence of lost worlds2021/01/01English
In a silent way2020/01/01English
Tracing the outlier: digital objects and algorithmic sorting in Rossella Biscotti’s Other2019/01/01English