Journal of Aesthetics & Culture

Title Publication Date Language Citations
Between home and flight: interior space, time and desire in the films of Chantal Akerman2021/01/01English
Fabulous folds: revolutionary costumes in Grey Gardens (1975)2020/01/01English
Meta-artistic immersion in digital exhibitions. History – mobilization – spectatorship2022/09/29English
Autonomy, pluralism, play: Danto, Greenberg, Kant, and the philosophy of art history2013/01/01English
Ingmar Bergman, the biographical legend and the intermedialities of memory2010/01/01English
EDITORIAL2010/01/01English
The post-perspectival: screens and time in David Lynch's Inland Empire2012/01/01English
Bodies and real-time interfaces: in video performance and interactive digital 3D installation art by VALIE EXPORT and Jette Gejl Kristensen2012/01/01English
Connect and immerse: a poetry of codes and signals2012/01/01English
Foreword2012/01/01English
A cinema of presence and proximity: Gunvor Nelson's collage films and the aesthetics of the signaletic material before the electronic signal2012/01/01English
Hacking the aesthetic: David Haines and Joyce Hinterding's new ecologies of signal2012/01/01English
Sound [signal] noise: significative effects in contemporary sonic art practices2012/01/01English
Creation and erasure: music video as a signaletic form of practice2012/01/01English
From signal to signification in interactive environments2012/01/01English
Digital finger: beyond phenomenological figures of touch2012/02/17
Editorial2012/01/01English
What it is? A question on the derivation of musical meaning2010/01/01English
Translating Cuba: Diasporic writing between moving cultures and moving media2015/01/01English
“Silencio”: hearing loss in David Lynch's Mulholland Drive2014/01/01English
Perversion and pathology: a critique of psychoanalytic criticism in art2012/01/01English
BOOK REVIEW2015/01/01English
Conglomerate memory and cosmopolitanism2016/01/01English
Telling time: representations of ruins in the grotesques of sixteenth-century Italy2016/01/01English
The world goes modern: new globalized framings of the postwar era in the contemporary exhibitions After Year Zero and The World Goes Pop2016/01/01English
Stray aesthetic in the cinema of Andrea Arnold2023/05/15English
Gazing at monsters: aesthetics, politics, and the national distribution of the sensible2024/02/21English
Photorealism versus photography. AI-generated depiction in the age of visual disinformation2024/04/10English
Brutal truth: modern(ist) aesthetics and death metal2024/03/13English
Cinematic TV drama2024/03/12English