| They who know sounds, control it and harmonize
Sound authorities: scientific and musical knowledge in nineteenth-century Britain
, by Edward Gillin, Chicago, IL, University of Chicago Press, 2021, Illustrations, 243 pp., $50.00 (cloth), ISBN 978-0-226-78777-0 | 2023/06/19 | English | |
| Listening to interruptions: sonic dominance and sonic norms | 2022/07/03 | English | |
| Reading sound: textual value devices in gallery sound | 2022/07/03 | English | |
| Connective listening practices and technologies
Quantum Listening
, by Pauline Oliveros, London, Ignota, 2022, 70 pp., $8.99 (pb), ISBN 9781838003944 | 2023/12/18 | English | |
| Castrato as cyborg: premodern posthumanism & the epistemology of voice
Voice machines: the castrato, the cat piano, and other strange sounds
, by Bonnie Gordon, Chicago and London, University of Chicago Press, 2023, 432 pp., $55.00 (cloth), ISBN 9780226825144 | 2023/12/19 | English | |
| Buzzing like a bee: simulation and cross-species empathy in sound installations | 2023/12/27 | English | |
| Big mouth: amplified feminism in Guinea | 2022/11/24 | English | |
| Deep listening the animal other: trash-foraging gulls at Ämmässuo waste treatment centre | 2022/05/31 | English | |
| New notes on noise and knowledge | 2022/05/31 | English | |
| Seeing a film in blindfolds: cinema experience withEarFilms | 2022/06/13 | English | |
| “Cha-ching!”: why the cash register came to ring | 2024/01/02 | English | |
| Listening through partitions: ethnomusicology’s immunological paradigm
68th Annual Meeting of the Society for Ethnomusicology
, October 18–22, 2023, Ottawa, Canada, The Westin Ottawa | 2024/01/02 | English | |
| Forensic voices: cultures of sonic detection and identification in the West | 2023/07/03 | English | |
| Sound art before sound art
ON AIR: The sound of the material in the art of the 1950s to 1970s,
by Kunstmuseen Krefeld, Krefeld, Germany, Exhibited from November 25, 2022 to February 26, 2023, https://kunstmuseenkrefeld.de/en/Exhibitions/2022/On-Air-Der-Klang-Des-Materials-In-Der-Kunst-Der-1950er-Bis-1970er-Jahre | 2023/07/03 | English | |
| Vocal recognition before recording: techniques of vocal documentation, classification and identification in the long nineteenth century | 2023/07/03 | English | |
| Thinking and teaching with the Stem Player | 2023/07/03 | English | |
| Listening to and through petrosonics
Critical Perspectives on Petrosonics
, study day, Royal Musical Association (RMA) and British Forum for Ethnomusicology (BFE), King’s College London, 11 May 2023 | 2023/07/03 | English | |
| ‘All possible sounds’: speech, music, and the emergence of machine listening | 2023/04/10 | English | |
| The Lomax archive: from signal to noise | 2022/07/28 | English | |
| Listening towards decolonisation | 2018/07/03 | English | |
| Optophono: the record conceived as a meeting point between sonic imaginations | 2018/07/03 | English | |
| Mediating the “Upside Down”: the techno-historical acoustic in Netflix’sStranger ThingsandThe Black Tapespodcast | 2019/03/27 | English | |
| Overhearing (in)
Touch of Evil
and
The Conversation
: from “real time” surveillance to its recording | 2018/01/02 | English | |
| On Bob Dylan’s Nobel speech: sound, medium and genreBob Dylan, 2016, Noble Lecture in Literature, https://www.nobelprize.org/nobel_prizes/literature/laureates/2016/dylan-lecture.html | 2018/01/02 | English | |
| Editorial | 2018/01/02 | English | |
| Fertile entanglement through social aesthetics
Improvisation and social aesthetics
, edited by Georgina Born, Eric Lewis and Will Straw, Durham, NC, Duke University Press, 2017, 307 pp., US$27.95/£23.99 (paperback), ISBN 978-0-8223-6194-7 | 2018/01/02 | English | |
| Editorial | 2018/07/03 | English | |
| This sentence is not false: a review ofSonic Flux | 2019/01/02 | English | |
| Listening as life: sounding fetal personhood in South Africa | 2019/06/04 | English | |
| Untuning a politics of perception in Unsound: Undead | 2019/07/03 | English | |