| Sound studies without auditory culture: a critique of the ontological turn | 2015/01/01 | English | 39 |
| Sounds inside: prison, prisoners and acoustical agency | 2016/01/02 | English | 37 |
| Beats, flesh, and grain: sonic tactility and affect in electronic dance music | 2015/01/01 | English | 23 |
| ASMR: bodily pleasure, online performance, digital modality | 2019/11/14 | English | 14 |
| Sonic lawfare: on the jurisprudence of weaponised sound | 2019/01/02 | English | 13 |
| Ontologies of acoustic endurance: rethinking wartime sound and listening | 2018/01/02 | English | 13 |
| Translations and translation gaps: the gunshot acoustic surveillance experiment in Brazil | 2019/01/02 | English | 12 |
| Exit immersion | 2015/01/01 | English | 11 |
| Sharing sound: teaching, learning, and researching sonic skills | 2015/01/01 | English | 10 |
| Between silence and pain: loudness and the affective encounter | 2015/01/01 | English | 9 |
| Murder, she spoke: the female voice’s ethics of evocation and spatialisation in the true crime podcast | 2017/07/03 | English | 9 |
| Mapping street sounds in the nineteenth-century city: a listener’s guide to social engineering | 2018/05/30 | English | 8 |
| Questioning Acoustemology: an interview with Steven Feld | 2020/10/12 | English | 6 |
| Re-socialising sound: investigating sound, selfhood and intersubjectivity among people living with dementia in long-term care | 2018/12/10 | English | 6 |
| Driving future sounds: imagination, identity and safety in electric vehicle noise design | 2018/01/02 | English | 6 |
| Listening to the din of the First World War | 2017/07/03 | English | 5 |
| “Law for Whom?”: responding to sonic illegality in Brazil’sfunk carioca | 2019/01/02 | English | 5 |
| Thoreau’s ear | 2015/01/01 | English | 5 |
| Silent by design? Tesla's Model S and the discourse on electric vehicle sound | 2016/01/02 | English | 5 |
| Sonic colour zones: Laura Boulton and the hunt for music | 2017/01/02 | English | 4 |
| Narrative cinema’s “sounds of silence”: variations on the POA | 2016/07/02 | English | 4 |
| Lobbying for the ear, listening with the whole body: the (anti-)visual culture of sonification | 2016/01/02 | English | 4 |
| Introduction: hearing like a state | 2019/01/02 | English | 3 |
| Securing the aural border: fieldwork and interference in post-war BBC audio nationalism | 2015/01/01 | English | 3 |
| Urban soundscapes in the historic centre of Thessaloniki: sonic architecture and sonic identity | 2018/07/03 | English | 3 |
| Sound hunting in postwar Japan: recording technology, aurality, mobility, and consumerism | 2020/12/10 | English | 3 |
| Haptic Aurality: On Touching the Voice in Drag Lip-Sync Performance | 2019/08/05 | English | 3 |
| Acoustics of the one person space: headphone listening, detachable ambience, and the binaural prehistory of VR | 2020/04/29 | English | 3 |
| “Bring on Sector Two!” The sounds of bent and broken circuits | 2016/01/02 | English | 3 |
| Piano transductions: music, sound and noise in urban Taiwan | 2019/01/02 | English | 3 |