| Orpheus unglued: sticky shed syndrome and tape’s archival anxieties | 2017/01/02 | English | 3 |
| Reverberations and post-war trauma: the sustained aftermath of aerial strikes on Lebanon in 2006 | 2022/01/02 | English | 2 |
| Eavesdropping by the eye: detecting sound events and the culture of acoustic intelligence | 2023/07/03 | English | 2 |
| Sonic infrastructures, musical circulation and listening practices in a changing People’s Republic of China | 2018/01/02 | English | 2 |
| The sound of the future: listening as data and the politics of soundscape assessment | 2021/01/03 | English | 2 |
| Ephemeral cartography: on mapping sound | 2018/07/03 | English | 2 |
| Festival “noise” and soundscape politics in Mumbai, India | 2019/01/02 | English | 2 |
| Museums of sound: audio bird guides and the pleasures of knowledge | 2016/01/02 | English | 2 |
| Landscapes and gimmicks from the “sounded city”: listening for the nation at the sound archive | 2016/07/02 | English | 2 |
| Music as sexual violence? Investigating the case of bar/club-based sex trafficking and sonic harm | 2020/04/23 | English | 2 |
| Listening to race and colonialism within sound studies? | 2020/01/02 | English | 2 |
| Remixing the pandemic, one sound at a time Cities and Memory, #StayHomeSounds | 2021/01/02 | English | 2 |
| Broken records from Berlin: the place of listening inPeople on Sunday(dir. Curt and Robert Siodmak/Edgar G. Ulmer, 1929) | 2017/01/02 | English | 2 |
| Europeana Sounds: an interface into European sound archives | 2016/01/02 | English | 2 |
| Bernie Krause’s The Great Animal Orchestra – an exhibition | 2016/07/02 | English | 2 |
| Museums as sites for displaying sound materials: a five-use framework | 2021/09/27 | English | 2 |
| Tuning forks as time travel machines: pitch standardisation and historicism | 2020/07/02 | English | 2 |
| Wireless materials: radio cultures in Ireland, Latin America, and the United States at the mid-century | 2015/01/01 | English | 1 |
| Soundscape and sonic memory: dynamics of Jewish and Muslim day-to-day social interactions in Udlajan, Tehran | 2017/07/03 | English | 1 |
| Sonic skills in cultural contexts: theories, practices and materialities of listening | 2016/01/02 | English | 1 |
| The chance meeting of a goose and a plover on a turntable: Chris Watson’s wildlife sound recordings | 2016/07/02 | English | 1 |
| The sound of the unsound: the role of film sound design in depicting schizophrenia and schizophrenic hallucination inThe Soloist | 2019/02/22 | English | 1 |
| How to turn interior monologues inside out: epistemologies, methods, and research tools in the long twentieth century | 2020/07/02 | English | 1 |
| Studying the echo in the early modern period: between the academy and the natural world | 2020/07/02 | English | 1 |
| “Radio Alice and Italy’s Movement of 1977: polyvocality, sonority and space” | 2020/06/18 | English | 1 |
| AI: More Than Human, Barbican, 16 May – 26 August | 2019/11/04 | English | 1 |
| Seismology’s acoustic debt: Robert Mallet, Chladni’s figures, and the Victorian science of earthquakes | 2019/11/05 | English | 1 |
| Understanding global cultures through sound | 2020/10/19 | English | 1 |
| Sound and the city: rethinking spatial epistemologies with urban sound maps | 2021/09/27 | English | 1 |
| How the sheng became a harp | 2020/07/02 | English | 1 |