| Secret wars in forgotten Africa | 2001/01/01 | English | 1 |
| Freud, thinker of the dark Enlightenment | 2008/01/01 | English | 1 |
| Ontology and politics: the representation of communists in Sartre’s fiction and theatre | 2006/01/01 | English | 1 |
| Cinematic city: the Spanish avant-garde, modernity and mass culture | 2008/01/01 | English | 1 |
| Black Montmartre: American jazz and music hall in Paris in the interwar years | 2005/01/01 | English | 1 |
| The political implications of Antonio Gramsci’s journey through languages, language issues and linguistic disciplines | 2009/01/01 | English | 1 |
| Humour and the descendants of the disappeared: Countersigning bloodline affiliations in post-dictatorial Argentina | 2013/01/01 | English | 1 |
| Activism and representations of motherhood in the autobiography of Dolores Ibárruri,
Pasionaria | 2001/01/01 | English | 1 |
| Writing versions of home: Marosia Castaldi’s
Per quante vite
and the poetics of the visible | 2010/01/01 | English | 1 |
| Gramsci’s cultural and political sources: anarchism in the prison writings | 2012/01/01 | English | 1 |
| Presentation of Luce Irigaray for the Degree of Doctor of Literature
honoris causa
, University of London | 2004/01/01 | English | 1 |
| Glances in the landscape: Photography and memory in the work of Guadalupe Gaona | 2013/01/01 | English | 1 |
| Notes on contributors | 2014/01/01 | English | 1 |
| On Sartre’s critique of assimilation | 2006/01/01 | English | 1 |
| Barcelona’s permeable monument: Fontserè’s Umbracle and the Parc de la Ciutadella | 2014/01/01 | English | 1 |
| Witnessing through the skin: the hysteric’s body as text | 2009/01/01 | English | 1 |
| Introduction | 2014/01/01 | English | 1 |
| The selling of Sartre: existentialism and public opinion, 1944–7 | 2006/01/01 | English | 1 |
| A note on Gabrielle Suchon’s efforts to seek publication of her works | 2005/01/01 | English | 1 |
| Migration, literature and cultural memory | 2011/01/01 | English | 1 |
| 23-F and/in historical memory in democratic Spain | 2016/01/01 | English | 1 |
| The shipwrecking of literature | 2017/06/01 | English | 1 |
| The significance of rewriting, or
Pour un nouveau roman
as the manifesto of the
Nouveau Roman | 2003/01/01 | English | 1 |
| Georges Perec: distributive constraints, textual liberties | 2007/01/01 | English | 1 |
| ‘Sartre was always wrong’ – or was he? | 2006/01/01 | English | 1 |
| Urban photography as counter-monument in Urruzola’s
Miradas ausentes
(
en la calle
) | 2013/01/01 | English | 1 |
| Sites of uncertainty | 2016/03/01 | English | 1 |
| Translation and concealment: the lost voice of Lucia Rodocanachi | 2004/01/01 | English | 1 |
| The idea of epic and New Italian Epic | 2010/01/01 | English | 1 |
| A ‘scientific confidence’: Manuel Iradier, ‘El Negro de Banyoles’, and the re-collection and re-membering of ‘Spanish Africans’ | 2001/01/01 | English | 1 |