Journal of Romance Studies

Title Publication Date Language Citations
Unidentified narrative objects: notes for a rhetorical typology2010/01/01English2
Photography, Belgian colonialism and Hergé’s Tintin au Congo2008/01/01English2
How to speak, how to remember: post-traumatic stress disorder and the Portuguese colonial wars (1961–74)2001/01/01English2
Memories of Italian East Africa2001/01/012
The construction of home in the informal city2002/01/012
Representing refugees: migration in France 1940-442002/01/012
Mapping Spanish `queer' cultural identities2002/01/012
À la recherche du moi perdu: memory and mourning in the work of Annie Ernaux2008/01/01English1
Roubaud’s number on numbers2007/01/01English1
Maternal genealogies: the figure of the mother in/and literature2006/01/01English1
Memories of Italian East Africa2001/01/01English1
Spatial dialectic and political poetics in Agnès Varda’s expatriate cinema2009/01/01English1
New age warriors: negotiating the handover on the streets of Macao2005/01/01English1
High anxiety: Abre los ojos/Vanilla Sky2004/01/01English1
The trials of translation: from global cultural flow to domestic relocation2011/01/01English1
Animal leaders and helpers: from the classical tales of Charles Perrault to the postmodern fables of Angela Carter and Patrick Chamoiseau2011/01/01English1
Ekphrastic anxiety and the technological mediation of memory in post-dictatorship narratives from Brazil2013/01/01English1
Cultural memory and amnesia: the Algerian War and ‘second-generation’ immigrant literature in France2003/01/01English1
Gameplay literature2016/03/01English1
Going global: The ‘stars’ of French theory and French cinema2012/01/01English1
LIMITEunbound2016/03/01English1
Language and memory in popular song: Brazil’s Caetano Veloso2003/01/01English1
Remembering fascism2015/01/01English1
Gramsci’s interest in language: the influence of Bartoli’s Dispense di glottologia (1912–13) on the Prison Notebooks2012/01/01English1
Who is reading? Recent publications on/of women’s writing in Portugal, between feminism, postcolonialism and memory2011/01/01English1
Introduction2007/01/01English1
Editor’s Introduction2007/01/01English1
All quiet on the filmic front? Codeswitching and the representation of multilingual Europe in La Grande Illusion (Jean Renoir, 1937) and Joyeux Noël (Christian Carion, 2005)2010/01/01English1
Plein soleil and The Talented Mr Ripley : sun, stars and Highsmith’s queer periphery2004/01/01English1
Archives, memory and colonial resistance in the work of the Portuguese filmmakers Margarida Cardoso and Filipa César2016/07/01English1