Modern Language Studies

Title Publication Date Language Citations
"Tongues in Trees": The Book of Nature in "As You like It"1988/01/012
Thomas Mann's Exile Years in America1976/01/012
""Zazie dans le metro" and Neo-French"1992/01/012
Making and Rethinking the Canon: General Introduction and the Case of "Millenium Hall"1988/01/012
Cather's Creative Women and DuMaurier's Cozy Men: "The Song of the Lark" and "Trilby"1994/01/012
The Artist in the Slammer: Hawthorne, Melville, Poe and the Prison of Their Times1984/01/012
Androgyny, Survival, and Fulfillment in Thomas Hardy's "Far from the Madding Crowd"1988/01/012
Sholem Aleichem: Monologues of Mastery1989/01/012
The Purgatorial Gardens of Hawthorne and Dante: Irony and Redefinition in "Rappaccini's Daughter"1987/01/012
The Interaction of Aestheticism and American Consumer Culture in Nabokov's "Lolita"1987/01/012
History's Genres: Julian Barnes's "A History of the World in 10 1/2 Chapters"2000/01/012
Ruralism, Folklore, and Grazia Deledda's Novels1983/01/012
Definitions: Renaissance and Baroque, Grotesque Construction and Deconstruction1983/01/012
Detection, Imagination, and the Introduction to "The Murders in the Rue Morgue"1989/01/012
Unbuttonning Proust1999/01/012
Hofmannsthal's Last Pantomimes: The Problem of Revolution1982/01/012
"In Our Circumstance and Course of Thought": The Problematics of Conceptual Scheme in "Hamlet"2002/01/012
Voyeurism, Pornography and "La Regenta"1989/01/012
Down among the Dead Men: Levi and Dante in Hell1986/01/012
Yiddish and Polish Poetry in the Ghettos and Camps1989/01/012
At the Heart of "Tom Brown's Schooldays": Thomas Arnold and Christian Friendship1995/01/012
The Transparent Eyes of May Welland in Wharton's "The Age of Innocence"1991/01/012
David and Goliath: The Resolution of Tyranny and Oppression in Two Plays by Alfonso Sastre1975/01/012
Literary Interest Now1999/01/012
"The Backward Voice": Puns and the Comic Subplot of "The Tempest"1982/01/012
Notes on Generating a Text: "The Brothers Karamazov"1980/01/012
Self and Representation in Pirandello's "Henry IV"1981/01/012
The Science of Sentiment: The Evolution of the Bourgeois Child in Nineteenth-Century American Narrative2000/01/012
Staging the Sublime: Schiller's "Maria Stuart" as Ironic Tragedy1992/01/012
The Breasts of Big Nurse: Satire versus Narrative in Kesey's "One Flew over the Cuckoo's Nest"1992/01/012