NECSUS. European Journal of Media Studies

Title Publication Date Language Citations
Soundscapes, sound clash2014/01/01English
Impossible dreams: ‘Europe and Love in Cinema’2014/01/01English
The Third Party Diary: Tracking the trackers on Dutch governmental websites2014/01/01English
The beauty of the act: Figuring film and the delirious baroque in ‘Holy Motors’2014/01/01English
The aesthetics of dispersed attention: An interview with German media theorist Petra Löffler2013/01/01English
‘The Sown and the Waste’ – or, the psychedelic writing of film history2013/01/01English
The tactile and the index - From the remote control to the hand-held computer, some speculative reflections on the bodies of the will2013/01/01English
Cinema and experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno2012/01/01English
Anecdotal evidence2013/01/01English
A filmic exploration by means of botanical imagery: Notes on Rose Lowder2013/01/01English
Screen dynamics: Mapping the borders of cinema2013/01/01English
Beyond cognitive estrangement: The future of science fiction cinema2012/01/01English
Orbital ruins2013/01/01English
Antalya Golden Orange Film Festival: Between the national and the global2013/01/01English
Can you see yourself living here?: Structures of desire in recent British lifestyle television2012/01/01English
The 37th annual Toronto International Film Festival: Seeking the social in the virtual2012/01/01English
From Chernobyl to Fukushima: The Uranium Film Festival2013/01/01English
Re-writing the history of the avant-garde2013/01/01English
Advertisarial relations and aesthetics of survival: Advertising –> advertisign2013/01/01English
Disharmonious designs: Colour contrast and curiosity in Jane Campion’s ‘In the Cut’2013/01/01English
Early cinema’s touch(able) screens: From Uncle Josh to Ali Barbouyou2012/01/01English
Waste: An introduction2013/01/01English
Scalar entanglement in digital media ecologies2013/01/01English
Revisiting the voice in media and as medium: New materialist propositions2013/01/01English
Greenface: Exploring green skin in contemporary Hollywood cinema2013/01/01English
The relocation of cinema2012/01/01English
Moving data2013/01/01English
Transcending obsolescence in technological ruins? Questions of conservation and presentation in Nam June Paik’s <I>Something Pacific</I> and <I>Rembrandt Automatic</I>2013/01/01English
Editorial Necsus2013/01/01English
Dialectical Modes of Nature in Terrence Malick’s ‘The Thin Red Line’2013/01/01English