NECSUS. European Journal of Media Studies

Title Publication Date Language Citations
‘The Sprawl of Entropy’: Cinema, waste, and obsolescence in the 1960s and 1970s2013/01/01English
Branding Television2013/01/01English
Greening media studies: An interview with Richard Maxwell and Toby Miller2013/01/01English
Indigenous film festival as eco-testimonial encounter: The 2011 Native Film + Video Festival2013/01/01English
Screen industries in East-Central Europe: Cultural policies and political culture (22-25 November 2012, Masaryk University, Brno, Czech Republic)2013/01/01English
The good, the beautiful and the sublime2012/01/01English
Meeting reports2012/01/01English
Archival gambits in recent art: What can an image do?2013/01/01English
Editorial Necsus2013/01/01English
Media zoology and waste management: Animal energies and medianatures2013/01/01English
A multiplied medium: Reviewing recent publications on television’s transitions2012/01/01English
Her green materials: Mourning, ‘Melancholia’, and not-so-vital materialisms2013/01/01English
Contemporary Women’s Cinema: Global Scenarios & Transnational Contexts (28-29 May 2013, Roma Tre University, Italy)2013/01/01English
‘Non Non Non’ – Visiting the exhibition with Yervant Gianikian and Angela Ricci Lucchi2012/01/01English
Subjectivity and ostrannenie: Key debates in European film studies2013/01/01English
Blood, sweat, and tears: Bodily inscriptions in contemporary experimental film2013/01/01English
Revisiting Star Studies (12-14 June 2013, Newcastle University)2013/01/01English
Exhibition Reviews2012/01/01English
‘The Last Ray of the Dying Sun’: Tacita Dean’s commitment to analogue media as demonstrated through FLOH and FILM2012/01/01English
Go east by southeast: 13th Festival of Central and Eastern European Film Wiesbaden2013/01/01English
European nightmares: Horror cinema in Europe since 19452012/01/01English
Still TV: On the resilience of an old medium2013/01/01English
‘The Angels’ Share’ at the 2012 Cannes Film Festival2012/01/01English
Documentaries without documents? Ecocinema and the toxic2013/01/01English
Aporias of the touchscreen: On the promises and perils of a ubiquitous technology2012/01/01English
Material properties of historical film in the digital age2012/01/01English
Framing, painting, collecting images: Antonioni’s legacy2013/01/01English
Colour Films in Britain2013/01/01English
‘Global warming is not a crisis!’: Studying climate change skepticism on the Web2013/01/01English
The care for opacity: On Tsai Ming-Liang’s conservative filmic gesture2012/01/01English