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NECSUS. European Journal of Media Studies
Title
Publication Date
Language
Citations
The cinema of Bela Tarr: The circle closes
2014/01/01
English
Brazil’s International Disability Film Festival Assim Vivemos
2014/01/01
English
Globalisation and television formats
2014/01/01
English
Animated maps and the power of the trace
2014/01/01
English
Microphysics of a rationalist utopia: Ruins, town plans, and the avant-garde documentary
2014/01/01
English
Shadow economies and digital disruption
2014/01/01
English
Representations of Madrid in the (post-)transition to democracy
2014/01/01
English
Mapping the rise of the iPhone: Between phones and mobile media
2014/01/01
English
Oberhausen: An interview with Lars Henrik Gass
2014/01/01
English
Initiating regional talents: 2013 Sarajevo Film Festival
2014/01/01
English
Enhanced echoes: Digitisation and new perspectives on film sound
2014/01/01
English
Past memories for a new future: The 70th Mostra Internazionale d’Arte Cinematografica di Venezia
2014/01/01
English
Celebrating independence: 54th Thessaloniki International Film Festival
2014/01/01
English
Poetics and politics of the trace: Notes on surveillance practices through Harun Farocki’s work
2014/01/01
English
The navigational gesture: Traces and tracings at the mobile touchscreen interface
2014/01/01
English
Editorial Necsus
2014/01/01
English
Assembling traces, or the conservation of net art
2014/01/01
English
Webcams as cinematic medium: Creating chronotopes of the real
2014/01/01
English
Representation or misrepresentation?: British media and Japanese popular culture
2014/01/01
English
Soundscapes, sound clash
2014/01/01
English
Impossible dreams: ‘Europe and Love in Cinema’
2014/01/01
English
The Third Party Diary: Tracking the trackers on Dutch governmental websites
2014/01/01
English
The beauty of the act: Figuring film and the delirious baroque in ‘Holy Motors’
2014/01/01
English
The aesthetics of dispersed attention: An interview with German media theorist Petra Löffler
2013/01/01
English
‘The Sown and the Waste’ – or, the psychedelic writing of film history
2013/01/01
English
The tactile and the index - From the remote control to the hand-held computer, some speculative reflections on the bodies of the will
2013/01/01
English
Cinema and experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno
2012/01/01
English
Anecdotal evidence
2013/01/01
English
A filmic exploration by means of botanical imagery: Notes on Rose Lowder
2013/01/01
English
Screen dynamics: Mapping the borders of cinema
2013/01/01
English
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