| The English Romantics: The Grounds of Knowledge | 1964/01/01 | English | 4 |
| "The Blithedale Romance": Hawthorne's "Voyage through Chaos" | 1968/01/01 | English | 4 |
| The Absent Dead: Wordsworth, Byron, and the Epitaph | 1978/01/01 | English | 4 |
| Framing the Corpus: Godwin's "Editing" of Wollstonecraft in 1798 | 2000/01/01 | English | 4 |
| Gall's Phrenology: A Romantic Psychology | 1977/01/01 | English | 4 |
| The Accidents of Disfiguration: Limits to Literal and Rhetorical Reading in Book V of "The Prelude" | 1979/01/01 | English | 4 |
| "Read Your Fall": The Signs of Plague in "The Last Man" | 2005/01/01 | English | 4 |
| An Interview with Geoffrey Hartman | 1996/01/01 | English | 4 |
| Maeterlinck's and Dukas' "Ariane et Barbe-Bleue": A Feminist Opera? | 1988/01/01 | English | 4 |
| Blood and Affection: The Poetics of Incest in "Manfred" and "Parisina" | 1995/01/01 | English | 4 |
| "Shades of the Prison-House": "Walking" Stewart, Michel Foucault and the Making of Wordsworth's "Two Consciousnesses" | 2005/01/01 | English | 4 |
| Shelley's Green Desert | 1996/01/01 | English | 4 |
| Keats's "Realm of Flora" | 1992/01/01 | English | 4 |
| Blake's Material Sublime | 2002/01/01 | English | 4 |
| Thomas De Quincey: Self-Effacing Autobiographer | 1979/01/01 | English | 4 |
| An Autumnal Blast, a Killing Frost: Coleridge's Poetic Conversation with John Thelwall | 1997/01/01 | English | 4 |
| Coleridge's Mariner and the Rights of Man | 1972/01/01 | English | 4 |
| Walter Scott's Romantic Archaeology: New/Old Abbotsford and "The Antiquary" | 2001/01/01 | English | 4 |
| The Puzzling "Mimosa": Sensitivity and Plant Symbols in Romanticism | 1969/01/01 | English | 4 |
| Writing for the Market: Keats's Odes as Commodities | 1995/01/01 | English | 4 |
| Pests, Parasites, and Positionality: Anna Letitia Barbauld and "The Caterpillar" | 2004/01/01 | English | 4 |
| No Way for a Victim to Act?: Beatrice Cenci and the Dilemma of Romantic Performance | 2000/01/01 | English | 4 |
| Keats in the Company of Kean | 2003/01/01 | English | 4 |
| Romanticism and Mary Tighe's "Psyche": Peering at the Hem of Her Blue Stockings | 1996/01/01 | English | 4 |
| "Unsaying His High Language": The Problem of Voice in "Prometheus Unbound" | 1977/01/01 | English | 4 |
| The Truchsessian Gallery Revisited | 1977/01/01 | English | 4 |
| Wordsworth's Voices: Ideology and Self-Critique in "The Prelude" | 1994/01/01 | English | 4 |
| Keywords: A Vocabulary of Culture and Society | 1977/01/01 | English | 4 |
| Mapping Misogyny: Godwin's "Fleetwood" and the Staging of Rousseauvian Education | 2002/01/01 | English | 4 |
| Blake's Oothoon: The Dilemmas of Marginality | 1991/01/01 | English | 4 |