Studies in Hispanic Cinemas

Titel Veröffentlichungsdatum Sprache Zitate
Embracing the other: the feminization of Spanish ‘immigration cinema’2005/09/01English8
Two transnational Spanish stars: Antonio Banderas and Penélope Cruz2005/09/01English5
A Biutiful city: Alejandro González Iñárritu’s filmic critique of the ‘Barcelona model’2012/04/01English5
Migrant feelings: Melodrama, <I>Babel</I> and affective communities2011/01/01English5
New racism, intercultural romance, and the immigration question in contemporary Spanish cinema2004/09/01English5
The figure of the absent father in recent Latin American films2004/09/01English4
The queer children of Almodóvar: La mala educación and the re-sexualization of biopolitical bodies2012/03/29English4
Cinematising the crowd: V. Blasco Ibaez's Silent <I>Sangre y arena</I> (1916)2008/05/19English4
The walls fall down: Fantasy and power in <I>El laberinto del fauno</I>2008/01/29English3
Youth culture on film: an analysis of post-1968 Mexican cinema2007/12/01English3
Are we global yet? New challenges to defining Latin American cinema2012/01/30English3
Late-Francoist popular comedy and the reactionary film text2005/07/01English3
Bridges between the divide: The female body in <I>Y tu Mam tambin</I> and <I>Machuca</I>2008/01/29English3
Women filming the male body: Subversions, inversions and identifications2007/11/13English3
Virgin on the edge: Luis Bunuel's transnational trope2006/07/01English2
<I>En el fondo te gusta</I>: Titillation, desire, and the spectator's gaze in Alejandro Amenbar's <I>Tesis</I>2008/01/29English2
Comatose women in El bosque: Sleeping beauty and other literary motifs in Pedro Almodvar's <I>Hable con ella</I>2007/09/21English2
Early cinematic tangos: audiovisual culture and transnational film aesthetics2009/07/01English2
Reconsidering matricide in Spanish Cinema of the transition: <I>Furtivos [Poachers]</I>2008/01/29English2
Body, silence and movement: Pina Bausch's <I>Café Müller</I> in Almodóvar's <I>Hable con ella</I>2005/09/01English2
The mediation of everyday life: an oral history of cinema-going in 1940s and 1950s Spain2005/07/01English2
Journeys of El Deseo between the nation and the transnational in Spanish cinema2007/12/01English2
Emilio Fernández ‘in Hollywood’: Mexico’s postwar inter-American Cinema, <I>La perla/The Pearl</I> (1946) and <I>The Fugitive</I> (1948)2010/12/01English2
What of unnatural bodies? The discourse of nature in Lucía Puenzo’s XXY and El niño pez/The Fish Child2012/03/29English2
Blood of an innocent: Montxo Armendriz's <I>Silencio Roto</I> (2001) and Guillermo del Toro's <I>El laberinto del fauno</I> (2006)2009/12/01English1
Voices from the small cinemas: Beyond ‘the remaining countries’2012/11/01English1
A <I>serto</I> of migrants, flight and affect: Genealogies of place and image in Cinema <I>Novo</I> and contemporary Brazilian cinema2011/01/01English1
This city is killing me: The circulation of Argentine horror cinema and Buenos Aires in Pablo Pars and Daniel de la Vega's <I>Jennifer's Shadow</I> (2004) and De la Vega's <I>Death Knows Your Name</I> (2007)2011/01/01English1
Iconic fictions: Narrating recent Argentine history in post-2000 second-generation films2012/03/29English1
Ethics, silence and the gaze in two films by Isabel Coixet2012/01/30English1