Clues: A Journal of Detection

Titel Veröffentlichungsdatum Sprache Zitate
Real and Rebel Women in Maud Tabachnik's Crime Writing2009/10/15
Of Herrings Red and Lavender: Reading Crime and Identity in Queer Detective Fiction2009/10/15
Book Reviews2009/10/15
Terms of Empowerment: Setting, Spatiality, and Agency in Carlos Ruiz Zafón's <i>La Sombra del Viento</i> and Dulce Chacón's <i>Cielos de Barro</i>2009/10/15
Torn between Two Genres: Sex and Romance in Lesbian Detective Fiction2009/10/15
<i>Roman noir</i> and <i>novela negra</i>: Continuity or Novelty?2009/10/15
Isabel Franc's <i>No me llames cariño</i>: Contesting Patriarchy in Spanish Lesbian Feminist Crime Fiction2009/10/15
Spiritualism, Detective Fiction, and the Aftermath of War2009/10/15
The Phenomenology of Noir Perception: Dorothy B. Hughes's <i>In a Lonely Place</i> and Cornell Woolrich's <i>I Married a Dead Man</i>2008/07/01
Feline, Not Canine: The Rise of the Female Arch-Villain in the 1940s Sherlock Holmes Films from Universal2008/07/01
The "Test of Feminine Investigation" in Baroness Orczy's <i>Lady Molly of Scotland Yard</i> Stories2008/07/01
The Accidental Sleuth: Investigating Mysteries and Class in Three Series for Girls2008/09/01
"Use Your Head, Judy Girl": Relationships, Writing, and an Ethic of Care in the Judy Bolton Mysteries2008/09/01
"You Get Tough. You Get Even": Rape, Anger, Cynicism, and the Vigilante Girl Detective in <i>Veronica Mars</i>2008/09/01
"The Unknown—with a capital U!" Richard Marsh and Victorian Popular Fiction2008/09/01
Trixie Belden, Edgar Allan Poe, and the Secret of the Secret in Girl-Sleuth Literature2008/09/01
The Legacy of George and Bess: Sidekicks as Normalizing Agents for the Girl Sleuth2008/09/01
Configuring Identity and Flights of Fancy in the Vicki Barr, Flight Stewardess Series2008/09/01
Race, Identity, and Genre in Sujata Massey's Rei Shimura Series2008/09/01
Book Reviews2008/09/01
Miss Marple's St. Mary Mead: A Geographical Mystery Solved?2007/07/01
Literary Detection as Political Subversion: The Invisibility of Class in G. K. Chesterton's "The Invisible Man"2007/07/01
Distorting the Genre, Defining the Audience, Detecting the Author: Richard Marsh's "For Debt" (1902)2007/07/01
An Interview with Jan Burke2007/07/01
Reviews2007/07/01
Introduction: The Voices of the Past2007/07/01
<i>Clues: A Journal of Detection</i> Index to Volume 252007/07/01
The Short Stories of Margery Allingham2007/07/01
Under Cover of Wartime: Disguised Murder in Works by Rennie Airth, Laurie R. King, Martha Grimes, and Anthony Horowitz2007/07/01
The Last Word: The Mean Streets of the Suburbs, the Kindness of Strangers—A Tribute to Charlotte Armstrong2007/07/01