NECSUS. European Journal of Media Studies

Titel Veröffentlichungsdatum Sprache Zitate
Beyond cognitive estrangement: The future of science fiction cinema2012/01/01English
Orbital ruins2013/01/01English
Antalya Golden Orange Film Festival: Between the national and the global2013/01/01English
Can you see yourself living here?: Structures of desire in recent British lifestyle television2012/01/01English
The 37th annual Toronto International Film Festival: Seeking the social in the virtual2012/01/01English
From Chernobyl to Fukushima: The Uranium Film Festival2013/01/01English
Re-writing the history of the avant-garde2013/01/01English
Advertisarial relations and aesthetics of survival: Advertising –> advertisign2013/01/01English
Disharmonious designs: Colour contrast and curiosity in Jane Campion’s ‘In the Cut’2013/01/01English
Early cinema’s touch(able) screens: From Uncle Josh to Ali Barbouyou2012/01/01English
Waste: An introduction2013/01/01English
Scalar entanglement in digital media ecologies2013/01/01English
Revisiting the voice in media and as medium: New materialist propositions2013/01/01English
Greenface: Exploring green skin in contemporary Hollywood cinema2013/01/01English
The relocation of cinema2012/01/01English
Moving data2013/01/01English
Transcending obsolescence in technological ruins? Questions of conservation and presentation in Nam June Paik’s <I>Something Pacific</I> and <I>Rembrandt Automatic</I>2013/01/01English
Editorial Necsus2013/01/01English
Dialectical Modes of Nature in Terrence Malick’s ‘The Thin Red Line’2013/01/01English
MP3s, rebundled debt, and performative economics: Deferral, derivatives, and digital commodity fetishism in Lady Gaga’s spectacle of excess2012/01/01English
Discovering repetition2013/01/01English
The intangible ground: A neurophenomenology of the film experience2012/01/01English
Painting the town green: From urban teleology to urban ecology in New York cinema, 1960-present2013/01/01English
Found footage photogénie: An interview with Elif Rongen-Kaynakçi and Mark-Paul Meyer2013/01/01English
Playing with digital byproduct data: An indicative example2013/01/01English
Editorial Necsus2012/01/01English
From subject-effect to presence-effect: A deictic approach to the cinematic2012/01/01English
The business of audience festivals: Calgary International Film Festival 20122013/01/01English
Nenette: Film theory, animals, and boredom2013/01/01English
Social infomediation of news on Twitter: A French case study2013/01/01English