| YouTube, Twerking & You: Context Collapse and the Handheld Co-Presence of Black Girls and Miley Cyrus | 2015/09/01 | English | 31 |
| Arabic Hip Hop: Claims of Authenticity and Identity of a New Genre | 2007/12/06 | English | 17 |
| Blacker than Death: Recollecting the “Black Turn” in Metal Aesthetics | 2013/06/01 | English | 15 |
| Weaponizing Classical Music: Crime Prevention and Symbolic Power in the Age of Repetition | 2007/12/06 | English | 13 |
| Not Another Remix: How Obama Became the First Hip-Hop President | 2010/12/01 | English | 11 |
| The Aporia of Presentation: Deconstructing the Genre of K-pop Girl Group Music Videos in South Korea | 2015/03/01 | English | 11 |
| Music Scenes and Self Branding (Nashville and Austin) | 2016/08/08 | English | 10 |
| STEVE JONES AND MARTIN SORGER: COVERING MUSIC: A BRIEF HISTORY AND ANALYSIS OF ALBUM COVER DESIGN | 1999/03/01 | English | 9 |
| Transnationale Teutonen: Rammstein Representing the Berlin Republic | 2013/06/01 | English | 8 |
| Michael Jackson's Kingdom: Music, Race, and the Sound of the Mainstream | 2011/03/01 | English | 8 |
| Rock Against Gender Roles: Performing Femininities and Doing Feminism Among Women Punk Performers in the Netherlands, 1976-1982 | 2012/06/01 | English | 7 |
| Fan Discourse and the Construction of Noise Music as a Genre | 2011/09/01 | English | 7 |
| Chris Blackwell and “My Boy Lollipop”: Ska, Race, and British Popular Music | 2010/12/01 | English | 7 |
| The Sites and Sounds of Placemaking: Branding, Festivalization, and the Contemporary City | 2016/05/11 | English | 7 |
| This Charming Butch: The male pop idol, girl fans, and lesbian (in)visibility | 2016/12/01 | English | 7 |
| The Innocent and the Runaway: Kanye West, Taylor Swift, and the Cultural Politics of Racial Melodrama | 2016/02/17 | English | 6 |
| DEBORAH PACINI HERNANDEZ AND REEBEE GAROFALO: HIP HOP IN HAVANA RAP, RACE AND NATIONAL IDENTITY IN CONTEMPORARY CUBA | 1999/03/01 | English | 6 |
| The Problem of Peru's Punk Underground: An Approach to Under-Fuck the System | 2012/12/01 | English | 6 |
| Blah, Blah, Blah: Ke$ha Feminism? | 2012/06/01 | English | 6 |
| Have You Seen His Childhood? Song, Screen, and the Queer Culture of the Child in Michael Jackson's Music | 2011/03/01 | English | 6 |
| How Joy Division Came to Sound Like Manchester: Myth and Ways of Listening in the Neoliberal City | 2013/03/01 | English | 6 |
| Tina Theory: Notes on Fierceness | 2012/03/01 | English | 6 |
| “Same DNA, but Born this Way”: Lady Gaga and the Possibilities of Postessentialist Feminisms | 2014/03/01 | English | 6 |
| “Now I’m a Happy Dyke!”: Creating Collective Identity and Queer Community in Greenham Women's Songs | 2010/12/01 | English | 5 |
| Sonic Pedagogies: Latina girls, mother-daughter relationships, and learning feminisms through the consumption of Jenni Rivera | 2016/12/01 | English | 5 |
| “If It Ain't Cheap, It Ain't Punk”: Walter Benjamin's Progressive Cultural Production and DIY Punk Record Labels | 2012/06/01 | English | 5 |
| Michael Jackson's Panther Dance: Double Consciousness and the Uncanny Business of Performing While Black | 2011/03/01 | English | 5 |
| The New Age Taboo | 2010/09/09 | English | 5 |
| Heterosexuality Is Totally Metal: Ritualized Community and Separation at a Local Music Club | 2010/09/09 | English | 5 |
| Quantitative analysis of a half-century of K-Pop songs: Association rule analysis of lyrics and social network analysis of singers and composers | 2017/09/01 | English | 5 |