Feminist Phenomenology and the Film World of Agnès Varda

Article Properties
Abstract
Cite
Ince, Kate. “Feminist Phenomenology and the Film World of Agnès Varda”. Hypatia, vol. 28, no. 3, 2013, pp. 602-17, https://doi.org/10.1111/j.1527-2001.2012.01303.x.
Ince, K. (2013). Feminist Phenomenology and the Film World of Agnès Varda. Hypatia, 28(3), 602-617. https://doi.org/10.1111/j.1527-2001.2012.01303.x
Ince K. Feminist Phenomenology and the Film World of Agnès Varda. Hypatia. 2013;28(3):602-17.
Refrences
Title Journal Journal Categories Citations Publication Date
Varda ou l'art contemporain: Note sur Les Plages d'Agnès 2009
A life through a lens 2009
Agnès Varda—profession: documenteuse 1988
Autour et alentour de Daguerréotypes 1975
Entretien avec Agnès Varda 1967
Citations
Title Journal Journal Categories Citations Publication Date
Cinematic Rehearsals of Phenomenology: On the Ontic-Ontological Schema and Heideggerian Film Theory

Film-Philosophy
  • Language and Literature: Literature (General): Drama: Motion pictures
  • Philosophy. Psychology. Religion: Philosophy (General)
  • Fine Arts: Visual arts
  • Philosophy. Psychology. Religion: Philosophy (General)
2024
Agnès Varda Films in the Context of Feminist Counter-Cinema: ‘Clèo 5 to 7’, ‘Happiness’, ‘One Sings, the Other Doesn’t’

Medya ve Kültürel Çalışmalar Dergisi 1 2023
Gleaning and Dreaming on Car Park Beach Humanities
  • General Works: History of scholarship and learning. The humanities
  • Social Sciences: Social sciences (General)
2018
‘Not a country at all’: Landscape andWuthering Heights

Journal of British Cinema and Television
  • Fine Arts: Visual arts
6 2016
Embodied Worlds and Situated Bodies: Feminism, Phenomenology, Film Theory Signs: Journal of Women in Culture and Society
  • Social Sciences: Sociology (General)
  • Social Sciences: The family. Marriage. Woman: Women. Feminism
  • Social Sciences
9 2015
Citations Analysis
The category Fine Arts: Visual arts 2 is the most commonly referenced area in studies that cite this article. The first research to cite this article was titled Embodied Worlds and Situated Bodies: Feminism, Phenomenology, Film Theory and was published in 2015. The most recent citation comes from a 2024 study titled Cinematic Rehearsals of Phenomenology: On the Ontic-Ontological Schema and Heideggerian Film Theory. This article reached its peak citation in 2024, with 1 citations. It has been cited in 5 different journals, 40% of which are open access. Among related journals, the Film-Philosophy cited this research the most, with 1 citations. The chart below illustrates the annual citation trends for this article.
Citations used this article by year