Thomas Hirschhorn’s Collages in the ‘Intensif-Station’

Article Properties
Refrences
Title Journal Journal Categories Citations Publication Date
Title 2015
Critical Laboratory: The Writings of Thomas Hirschhorn 2013
Thomas Hirschhorn–It’s Burning Everywhere 2011
Thomas Hirschhorn 2004
10.1179/sic.1982.27.Supplement-1.19
Citations
Title Journal Journal Categories Citations Publication Date
Didactic Panel Illustrating Light Exposure Effects

Restaurator. International Journal for the Preservation of Library and Archival Material
  • Bibliography. Library science. Information resources
  • Bibliography. Library science. Information resources: Information resources (General)
  • Social Sciences
2023
Collage as Epistemology: Construction—Deconstruction—Reconstruction

Visual Arts Research 2 2023
Reframing the Notion of “The Artist’s Intent:” A Study of Caring for Thomas Hirschhorn’s Intensif-Station (2010) Journal of the American Institute for Conservation
  • Social Sciences: Social sciences (General)
2 2021
Citations Analysis
The category Social Sciences: Social sciences (General) 1 is the most commonly referenced area in studies that cite this article. The first research to cite this article was titled Reframing the Notion of “The Artist’s Intent:” A Study of Caring for Thomas Hirschhorn’s Intensif-Station (2010) and was published in 2021. The most recent citation comes from a 2023 study titled Collage as Epistemology: Construction—Deconstruction—Reconstruction. This article reached its peak citation in 2023, with 2 citations. It has been cited in 3 different journals. Among related journals, the Visual Arts Research cited this research the most, with 1 citations. The chart below illustrates the annual citation trends for this article.
Citations used this article by year