INDIAN CINEMA'S GLOBAL REACH

Article Properties
Cite
Iordanova, Dina. “INDIAN CINEMA’S GLOBAL REACH”. South Asian Popular Culture, vol. 4, no. 2, 2006, pp. 113-40, https://doi.org/10.1080/14746680600797095.
Iordanova, D. (2006). INDIAN CINEMA’S GLOBAL REACH. South Asian Popular Culture, 4(2), 113-140. https://doi.org/10.1080/14746680600797095
Iordanova D. INDIAN CINEMA’S GLOBAL REACH. South Asian Popular Culture. 2006;4(2):113-40.
Journal Categories
Social Sciences
Social sciences (General)
Social Sciences
Social sciences and state - Asia (Asian studies only)
Refrences
Title Journal Journal Categories Citations Publication Date
10.4324/9780203643945 2004
10.7208/chicago/9780226306575.001.0001 1991
10.7208/chicago/9780226306575.001.0001 Daedalus
  • Social Sciences: Sociology (General)
  • Social Sciences: Social sciences (General)
  • Social Sciences: Industries. Land use. Labor
  • Social Sciences
 1985
Bollyworld: Popular Indian Cinema through a Transnational Lens 2005
Media Worlds: Anthropology on New Terrain 2002
Citations
Title Journal Journal Categories Citations Publication Date
Hindi Films, Bollywood, and Indian Television Serials: A History of Connection, Disconnection, and Reconnection in Tamale, Northern Ghana Journal of African Cultural Studies
  • Social Sciences: Sociology (General)
  • Social Sciences: Social sciences (General)
  • Social Sciences
 2021
A national cinema’s transnational aspirations? Considerations on “Bollywood” South Asian Popular Culture
  • Social Sciences: Social sciences (General)
  • Social Sciences: Social sciences and state - Asia (Asian studies only)
 2 2017
The soft power of popular cinema – the case of India Journal of Political Power
  • Political science
 2016
No Longer a Frivolous Singing and Dancing Nation of Movie-Makers: The Hindi Film Industry and Its Quest for Global Distinction Visual Anthropology
  • Geography. Anthropology. Recreation: Anthropology
 8 2012
Bollywood Cinema at the Crossroads: Tracking the Dimensions of Globalization in Postcolonial Popular Hindi Cinema Mass Communication and Society
  • Social Sciences
  • Language and Literature: Philology. Linguistics: Communication. Mass media
 4 2011
Citations Analysis
Category Category Repetition
Social Sciences: Social sciences (General)3
Social Sciences3
Language and Literature: Philology. Linguistics: Communication. Mass media2
Social Sciences: Social sciences and state - Asia (Asian studies only)2
Fine Arts: Visual arts2
Social Sciences: Sociology (General)1
Political science1
Geography. Anthropology. Recreation: Anthropology1
The category Social Sciences: Social sciences (General) 3 is the most commonly referenced area in studies that cite this article. The first research to cite this article was titled They stole the show!: Indian films in coastal Tanzania, 1950s1980s and was published in 2010. The most recent citation comes from a 2021 study titled Hindi Films, Bollywood, and Indian Television Serials: A History of Connection, Disconnection, and Reconnection in Tamale, Northern Ghana. This article reached its peak citation in 2010, with 2 citations. It has been cited in 7 different journals. Among related journals, the Journal of African Cultural Studies cited this research the most, with 1 citations. The chart below illustrates the annual citation trends for this article.
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