Celluloid and Psyche

Title	Journal	Journal Categories	Citations	Publication Date
This is perhaps attributable to cinema's identification for Freud with the jangle of modernity he seemed to find so objectionable. One looks in vain in his project for references to automobiles or telephones, let alone movie theaters; it's quite possible he never stepped foot in one. He summarily rejected an offer of $100,000 from Samuel Goldwyn to consult on a film about the great love affairs of history, commencing with Antony and Cleopatra. It was one of the few times anyone—particularly a writer—ever said no to the producer
Gabbard, Krin and Gabbard, Glen O. 1987.Psychiatry and the Cinema, 197Chicago: University of Chicago Press.

Title	Journal	Journal Categories	Citations	Publication Date
“Raindrops on roses:”The Sound of Musicand the political psyche of the Sixties	The Sixties	History (General) and history of Europe: History (General)		2013
“Breaking the Law,” a Metaphor for Female Empowerment Through Aggression: Women in Film	Journal of the American Academy of Psychoanalysis			1993

Category	Category Repetition
History (General) and history of Europe: History (General)	1

The category History (General) and history of Europe: History (General) 1 is the most commonly referenced area in studies that cite this article. The first research to cite this article was titled “Breaking the Law,” a Metaphor for Female Empowerment Through Aggression: Women in Film and was published in 1993. The most recent citation comes from a 2013 study titled “Raindrops on roses:”The Sound of Musicand the political psyche of the Sixties. This article reached its peak citation in 2013, with 1 citations. It has been cited in 2 different journals. Among related journals, the Journal of the American Academy of Psychoanalysis cited this research the most, with 1 citations. The chart below illustrates the annual citation trends for this article.