Science Fiction Studies

Title Publication Date Language Citations
Laboratories for Global Space-Time: Science-Fictionality and the World’s Fairs, 1851-19392012/01/012
Degenerate Utopias: Dystopian Revisions of Disneyland in Early Twenty-first-century Italian Fiction2017/01/012
The Blind Logic of Plants: Enlightenment and Evolution in John Wyndham's <em>The Day of the Triffids</em>2015/01/012
Racial Impossibility and Critical Failure in W.E.B. Du Bois's <em>Darkwater</em>2019/01/012
Symposium on Slipstream2011/01/012
Radical Politics, Recent Exhibitions, and Utopianism Now2016/01/012
Dreams of Accumulation: The Economics of SF Video Games2016/01/012
Fractal Narrative, Paraspace, and Strange Loops: The Paradox of Escape in Jeff Noon’s <em>Vurt</em>2011/01/012
John W. Campbell, Jr., E.E. “Doc” Smith, and the Combat Information Center2011/01/012
External Memory Drives: Deletion and Digitality in <em>Agrippa (A Book of The Dead)</em>2016/01/011
Alterity and Alien Contact in Lao She's Martian Dystopia, <em>Cat Country</em>2013/01/011
Voyage into an Unknown Future: A Genre Analysis of Chinese SF Film in the New Millennium2013/01/011
The Fantastic and Genological Research2013/01/011
“A Tale of New Mr. Braggadocio”: Narrative Subjectivity and Brain Electricity in Late Qing Science Fiction2013/01/011
Death of a Salesman: Petit-Bourgeois Dread in Philip K. Dick’s Mainstream Fiction2011/01/011
“Into the Memory Hole”: Totalitarianism and <em>Mal d’Archive in Nineteen Eighty-Four</em> and <em>The Handmaid’s Tale</em>2011/01/011
Human and Nonhuman Intersections in Rosa Montero's Bruna Husky Novels2017/01/011
2019/01/011
China Turns Outward: On the Literary Significance of Liu Cixin's Science Fiction2019/01/011
The Case for Rape: John Wyndham and Octavia Butler2011/01/011
Metaphysical Realism2011/01/011
A Fantastic Voyage into Inner Space: Description in Science-Fiction Novelizations2011/01/011
Neither Black Nor White: The Critical Utopias of Sutton E. Griggs and George S. Schuyler2011/01/011
The Freshness of Ruins2015/01/011
“Sounds like a Human Performance”: The Electronic Music Synthesizer in Mid-Twentieth-Century Science Fiction2011/01/011
Pirates of the Caribbean2014/01/011
Aesthetics and Artificiality from <em>À Rebours</em> to <em>Avatar</em>: Some Varieties of the Virtual since 18842014/01/011
<em>Star Trek</em>'s Mirror Universe Episodes and US Military Culture through the Eyes of the Other2014/01/011
The Weight of History: Immunity and the Nation in Italian Science-Fiction Cinema2015/01/011
Symposium on Italian Science Fiction2015/01/011