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Angles
Title
Publication Date
Language
Citations
Subjects Who Cannot Be Consoled: The Discarded Opening of Albert Angelo and the Queer Afterlife of “BS” Johnson in
2021/12/15
Getting it All Down: Disintegration and Integration in B. S. Johnson’s The Unfortunates
2021/12/15
“I’m telling you to stop’: Staging the drama of rape, experiment and sexual consent in Ann Quin’s Three and Muriel Spark’s
2021/12/15
Improvisation, Blankness and Mesmerism: Mike Leggett and Ian Breakwell’s Sheet and the Two Avant-Gardes
2021/12/15
The Writer’s Action Group (WAG) and the Fight for Public Lending Right (PLR)
2021/12/15
The Limits of Looking: Conceptualising the Frame in Ann Quin’s Berg and Christine Brooke-Rose’s O
2021/12/15
Ann Quin’s Berg and Stewart Home’s 69 Things to Do with a Dead Princess
2021/12/15
Video Introduction to Issue 13
2021/12/15
Graphic Interlude
2021/12/15
Murmur, Hum, Shout, Crash!
2021/12/15
Graphic Interlude: Neoliberalism in the Anglophone World
2019/04/01
Graphic Interlude: Reinventing the Sea
2019/11/01
Photographing the Miner's Strike at Lea Hall Colliery, 1984-1987: Interview with photographer Nigel Dickinson
2015/11/01
Graphic Interlude
2016/11/01
Corpo-real: in situ
2016/04/01
Graphic Interlude: Creating the Enemy
2020/04/01
Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial
2018/04/01
Graphic Interlude
2015/11/01
Graphic Interlude
2018/04/01
Diamond Princess II
2021/02/02
Handle with Care
2021/02/02
Experimental Fiction, Or What Is a Novel and How Do I Know?
2018/04/01
Early Tourism in New Mexico: A Primitivist Pastime or a Tool of Integration?
2017/11/01
The Actors’ Bodies in TV series LOST
2016/04/01
Racism and Violence in Gar Anthony Haywood’s P. I. Fiction
2016/11/01
Dreaming-machine
2018/11/01
Mad, Bad and Dangerous to Know? Hoodies in Contemporary British Horror Cinema
2020/04/01
Short and sweet? Structuring Humor and Morality in American Sitcoms
2015/11/01
The Relation Between Production, Labor Regimes and Leisure Forms: From slavery to digital capitalism
2017/11/01
Traces of the Body in Digital Performance
2018/11/01
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