Current Writing: Text and Reception in Southern Africa

Title Publication Date Language Citations
Religion and the interpretation of the /Xam narratives2008/01/01English
“Modern prophets, produce a new bible”: Christianity, Africanness and the poetry of Nontsizi Mgqwetho2008/01/01English
JM Coetzee’sThe Schooldays of Jesus(2016): A Novel of Ideas?2018/01/02English
Current Writing 31(1) 20192018/01/02English
“Bare Truths”: Poeticising Poverty, Tyranny and the Quest for Freedom in David Kerr’s Tangled Tongues2018/01/02English
To Write Liberty2018/01/02English
Sydney Clouts: Poet’s Poet … and More?2018/01/02English
Remembering the Late Nelson Rolihlahla Mandela Through the Eyes of the Poet2018/01/02English
“Living in the Moment”: The ‘Bushman’ Presence, Past and Future2018/01/02English
Molefe’s Ikhiwane Elihle (“All That Glitters Is Not Gold”): A Counter-Patriarchal Reading2018/01/02English
Editor’s Notes2018/01/02English
Human–Insect Interaction in Henrietta Rose-Innes'sNineveh2018/01/02English
Editor’s introduction2017/07/03English
The Ethics of Memory in the Writing of Post-apartheid South Africa2017/07/03English
Whose Story Is Written on Her Dead Body? Writing Gender Justice and Transformation by Re-writing Female Victims in South African Crime Thrillers2017/07/03English
Writing the City from Below: Graffiti in Johannesburg2017/07/03English
Cameline Agency: A New Agenda for Social Transformation in South African Women’s Writing 2012–20142017/07/03English
Re-tailoring Can Themba’s “The Suit”: Queer Temporalities in Two Stories by Makhosazana Xaba2017/07/03English
Re/membering the Future? Speculative Fiction by Eben Venter and Lauren Beukes2017/07/03English
Gendered Inclusions and Exclusions in Zoë Wicomb’sDavid’s Story2017/07/03English
The Complexities of Silence in Buhle Ngaba’s The Girl Without a Sound in the Context of Contemporary South African Tertiary Education Protest2017/07/03English
The Ethics of Memory in the Writing of Post-apartheid South Africa2017/01/02English
Aesthetic Dimensions in Nadine Gordimer’s Post-apartheid Short Fiction: The Case of Loot and Beethoven Was One-sixteenth Black2017/01/02English
JM Coetzee, the Truth of “Second-order Questions”2017/01/02English
“Modest Desires and Defiant Gestures”: Representing Female Sexualities in Doreen Baingana’sTropical Fish: Tales out of Entebbeand Violet Barungi’sCassandra2017/01/02English
Agony and Penance: Sara Lidman in South Africa 1960–19612017/01/02English
Editor’s Notes2017/01/02English
Zakes Mda’s Non-Human Characters in the Economy of Indigenous Knowledge Systems2017/01/02English
The Academic Article in an Age of Mechanical Production or Reproduction2017/01/02English
Stitching a Female Corporeal Archive: Representations of Gender, Violence and Resistance inTo the Black Women We All Knew2017/01/02English