Women & Performance: a journal of feminist theory

Title Publication Date Language Citations
Can There Be A Feminist Ethnography?1990/01/01English151
Ephemera as Evidence: Introductory Notes to Queer Acts1996/01/01English122
Prognosis time: Towards a geopolitics of affect, debility and capacity2009/07/01English113
Hope and hopelessness: A dialogue2009/07/01English44
Body politics in black and white:Señoras, Mujeres, Blanqueamientoand Miss Esmeraldas 1997–1998, Ecuador1999/01/01English38
The unforgivable transgression of being Caster Semenya2010/03/01English36
Classical ballet: A discourse of difference1987/01/01English18
Gender impersonation onstage: Destroying or maintaining the mirror of gender roles?1985/01/01English18
A fem(me)inist manifesto1996/01/01English16
The naked word: The trans-corporeal ethics of the protesting body2010/03/01English16
Journey toward a feminist pedagogy for dance1993/01/01English14
“This voice which is not one”: Amy Winehouse sings the ballad of sonic blue(s)face culture2010/03/01English12
Situating fat suits: Blackface, drag, and the politics of performance2005/01/01English12
Neither monstrous nor pastoral, but scary and sweet: Some thoughts on sex and emotional performance inIntimaciesandWhat Do Gay Men Want?2009/07/01English11
From surface to depth, between psychoanalysis and affect2009/07/01English11
Reflections on sessions early in an analysis: Trauma, affect and “enactive witnessing”2009/07/01English11
Chatt(er)ing through the fingertips: Doing group therapy online1996/01/01English11
Latina subjectivity, sexuality and sensuality2008/11/01English10
Preface for a solo by Miles Davis2007/07/01English10
Which way is down? Improvisations on black mobility2004/01/01English10
Feeling secular2009/07/01English9
Passing for human:Bamboozledand digital humanism2005/01/01English9
An intimate ethnography2009/03/01English8
Lessons from “Around the world with Oprah”: Neoliberalism, race, and the (geo)politics of beauty2008/03/01English8
The falling man2004/01/01English8
“I wanna be your fantasy”: Sex, death, and the artist formerly known as prince1996/01/01English8
Dramaturgy as a mode of looking2003/01/01English8
Passing and the performance of gender, race, and class acts: A theoretical framework2005/01/01English7
Ballerinas and ball passing1987/01/01English7
“Infertile me:” The public performance of fertility treatments in internet weblogs2005/01/01English7