Title	Publication Date	Language	Citations
THE UNIVERSAL SURVEY MUSEUM	1980/12/01	English	96
Pathways of Portability: Islamic and Christian Interchange from the Tenth to the Twelfth Century	2001/03/01	English	29
SEEING AND READING: SOME VISUAL IMPLICATIONS OF MEDIEVAL LITERACY AND ILLITERACY	1985/03/01	English	27
THE REAL AND THE IMAGINARY: Production and Religion in the Graeco‐Roman World	1979/03/01	English	25
THE POWER OF IMAGES	1992/06/01	English	22
Decolonizing Art History	2020/01/22	English	19
IMAGO CONTRAFACTA: IMAGES AND FACTS IN THE NORTHERN RENAISSANCE	1993/12/01	English	19
THE BODY POLITIC: Female Sexuality & Women Artists since 1970	1978/06/01	English	17
‘TO UNDERSTAND ULTIMATE THINGS AND ENTER SECRET PLACES’: EKPHRASIS AND ART IN BYZANTIUM	1991/03/01	English	17
MAKING AN IMPRESSION: REPLICATION AND THE ONTOLOGY OF THE GRAECO‐ROMAN SEAL STONE	2006/04/01	English	16
THE IMPORTANCE OF COLOUR ON ANCIENT MARBLE SCULPTURE	2009/06/01	English	16
Intimate Archives: Japanese‐Canadian family photography, 1939–1949	2004/01/27	English	16
SENSES AND SENSIBILITY IN BYZANTIUM	2004/09/01	English	15
COST AND VALUE IN SEVENTEENTH‐CENTURY DUTCH ART	1987/12/01	English	14
Art History as Ekphrasis	2010/01/25	English	13
VISCERAL CULTURE: BLUSHING AND THE LEGIBILITY OF WHITENESS IN EIGHTEENTH‐CENTURY BRITISH PORTRAITURE	2004/09/01	English	13
Notes on Surface: toward a genealogy of flatness	2000/03/01	English	13
ABSTRACTION AND IMAGINATION IN LATE ANTIQUITY	1980/03/01	English	12
WESTERN DESERT ACRYLIC PAINTING —ARTEFACT OR ART?	1982/06/01	English	12
FROM STILUS TO STYLE: REFLECTIONS ON THE FATE OF A NOTION	1983/09/01	English	12
THE ORIGINS OF ART	1978/03/01	English	12
Stigmata and Sense Memory: St Francis and the Affective Image	2001/03/01	English	12
MICHELANGELO AND THE HUMAN FORM: HIS KNOWLEDGE AND USE OF ANATOMY	1984/06/01	English	11
GRAPHIC VERSUS PHOTOGRAPHIC IN THE NINETEENTH‐CENTURY REPRODUCTION	1986/06/01	English	11
Designing Women: Gender, Sexuality and the Interior Decorator, c. 1890–1940	1994/12/01	English	11
SCIENCE, NON‐SCIENCE AND NONSENSE: The Interpretation of Brunelleschi's Perspective	1978/06/01	English	11
Homoerotic Art Collection from 1750 to 1920	2001/04/01	English	10
STATUES IN THE SQUARE: HAUNTINGS AT THE HEART OF EMPIRE	2006/09/01	English	10
FRAGMENTED IDENTITIES: READING SUBJECTIVITY IN HENRY TONKS' SURGICAL PORTRAITS	2009/06/01	English	10
KILLING KOOL: THE GRAFFITI MUSEUM	2007/06/01	English	10