Interfaces

Title Publication Date Language Citations
Beyond the Divide in the History of Film Theory: An Intermedial Approach in the Digital Age2022/12/21
Transfer of media characteristics in Preston Sturges’s screwball comedy Unfaithfully Yours (1948)2022/12/21
Temporal Looping and Pleating in Spring Breakers (Harmony Korine, 2012)2022/12/21
Artistic Confluences: From Media Representation to Downright Fusion2022/12/21
What remains of cinema in TV series?2022/12/21
Nepthys Zwer et Philippe Rekacewicz, Cartographie radicale : explorations2022/12/21
“Moving media, that’s what we recommend”: Intermedial Reception in The Square (Ruben Östlund, 2017)2022/12/21
The Roses of Jay DeFeo and Bruce Conner: Belated Thoughts on Intermediality and Friendship2022/12/21
Intermedial Negative: The Role of Punk Cinema in the Downtown Scene (New York, 1976-1984)2022/12/21
Artistic Symbiosis: Orson Welles’s Othello (1951) as Cinematic Opera2022/12/21
Joana Baião et Raquel Henriques da Silva (org.), Os museus e a(s) sociedade(s). Teorias, contextos, histórias, experiências, desafios2022/12/21
Vaudeville, Hollywood, and the Radio during World War II: The Intermedial Politics of Variety Acts2022/12/21
Blake’s Unruly Art History : The Case of the 1809 Exhibition2010/01/01French
Out of Line: Illness & Aesthetics in Alan Hollinghurst’s The Line of Beauty and Henry James’s The Wings of the Dove2006/01/01English
Fictional Knowledge: Libraries in Gibbon’s Decline and Fall2004/01/01French
Premiers repérages (Conférence du 8 juin 1991)1995/01/01French
Conceptions Immaculate and Otherwise: Celebration or Suppression of the Processes of Book Production in the Victorian Novel1999/01/01French
Envisioning Sleeping Beauties in Doré, Wharton, and Nabokov2008/01/01French
Cubism and Points of View in Virginia Woolf’s To the Lighthouse1998/01/01French
The Desire for an audience. A Lacanian approach to Beckett’s late plays1992/01/01French
Does Death Survive? A Reverse Teleology2003/01/01French
African American views on landscape2001/01/01French
Apparitions of the Unapparent: Rembrandt and Luke’s Emmaus Story2014/01/01French
Every Which Way but Loose2003/01/01French
Couleurs, jardin, ville1996/01/01French
“Friendships Gallery”: Virginia Woolf’s Gallery of Self-Portraits2000/01/01French
Speaking volumes: Poussin's water colours1996/01/01French
The Construction in Question2003/01/01French
Sexism and the Avant-Garde: Seduction and Hysteria in Federico Fellini’s City of Women1998/01/01French
Texte et illustration dans la littérature populaire des 18e et 19e siècles : vers la diversification accélérée1995/01/01French