Open Screens

Title Publication Date Language Citations
A Supercut of Supercuts: Aesthetics, Histories, Databases2021/01/01English3
Screen Choice: The Relations, Interactions and Articulations of Watching Film2021/06/071
The New Americans? The Sino-African Relationship on Chinese and Ethiopian Screens2021/01/01English1
‘Make Do and Mend’: Crafting a Scottish Underdog in The Flying Scotsman (2006)2018/01/01English1
Opening the Paratext: The Hitchcock Trailer as Assertion of Authorship2018/01/01English1
Re-Writing the Past, Autobiography and Celebrity in Agatha (1979): ‘An Imaginary Solution to an Authentic Mystery’2020/01/01English1
Book Review: Carol O’Sullivan and Jean-François Cornu (eds.), The Translation of Films, 1900–1950 (Oxford: Oxford University Press for The British Academy, 2019)2021/01/01English1
Book Review: Maria Flood, Moonlight: Screening Black Queer Youth (London and New York: Routledge, 2022)2023/01/09
Book Review: Katherine Whitehurst, Precious: Identity, Adaptation and the African-American Youth Film (London and New York: Routledge, 2022)2023/01/09
Title Pending 10512
Teaching Women's Filmmaking: Dossier Introduction2023/01/09
Book Review: L.H. Stallings, The Afterlives of Kathleen Collins: A Black Woman Filmmaker’s Search for New Life (Bloomington: Indiana University Press, 2021)2022/07/31
Book Review: Anna Backman Rogers, Still Life: Notes on Barbara Loden’s Wanda (Santa Barbara CA: Punctum Press, 2021)2022/07/31
Abraham Lincoln in the Hollywood cinema2023/11/01
Divine Smells: Odorama, Melodrama, and the Body in John Waters' Polyester2022/07/31
The Matrixial Screen Encounter: theorising the inter-subjective gaze in the documentary practice of Kim Longinotto2023/01/09
Why bad things happen to bad people: investigating evil in the Italian giallo2022/07/31
The Monopack Revolution, Global Cinema and Jigokumon/Gate of Hell (Kinugasa Teinosuke, 1953)2018/01/01English
Peace Cinema: Religious Pacifism and Anti-War Sensibility in Friendly Persuasion (1956)2018/01/01English
Nolan’s Dunkirk: A Note on Spectacle, History and Myth2018/01/01English
After All This Time, Isn’t It Still ‘About Time’? Artist’s Work in Slide-Tape in the UK Since the 1970s2019/01/01English
Mark Glancy, Cary Grant, the Making of a Hollywood Legend (Oxford: Oxford University Press, 2020), pp. xvii + 550, ISBN: 9780190053130, £22.99 and Scott Eyman, Cary Grant: A Brilliant Disguise (New York: Simon & Schuster, 2020), pp. xiv +556, ISBN: 9781501192111, £252021/12/31
Transformational Identities of Children within Iranian and South African Fiction Films: Ayneh (The Mirror) and Life, Above All2021/01/01English
1001 Nights and Anime: The Adaptation of Transnational Folklore in Tezuka Osamu’s Senya ichiya monogatari/A Thousand and One Nights (1969)2021/01/01English
Book Review: Lauren Bliss, The Maternal Imagination of Film and Film Theory. (Basingstoke: Palgrave Macmillan, 2020)2022/07/01
Breaking conventions? Political ideology of films with explicit sex2022/07/31
Book Review: Karen McNally (ed.), American Television during a Television Presidency (Detroit: Wayne State University Press, 2022).2023/01/09
Blu-Ray Review: Girlfriends [Criterion Collection, 2020] (Claudia Weill, 1978)2022/07/31
Book Review: Eve Golden, with Kim Kendall Campbell, The Brief, Madcap Life of Kay Kendall (Lexington: University Press of Kentucky, 2001)2022/07/31
Book Review: Steven Shaviro, The Rhythm Image: Music Videos and New Audiovisual Forms (New York; London; Dublin: Bloomsbury Academic, 2023).2023/11/01