| Experimental Cinema Old and New | 2017/08/10 | English | |
| Geopolitical Rarities in California | 2017/04/13 | English | |
| “Old Folks at Home”: Tyler Perry and the Dialectics of Nostalgia | 2017/05/19 | English | |
| Project Shirley | 2017/05/19 | English | |
| Review of Essays on the Essay Film | 2018/05/29 | English | |
| Smoke Gets in Your Eyes: Re-Reading Gender in the “Nostalgia Film” | 2018/05/09 | English | |
| Listen and React: Acting Spaces in CinemaScope of the 1950s | 2018/06/01 | English | |
| Narrating Labor:Holy Motorsand the Form of the Modern Working Day | 2018/05/30 | English | |
| Disappearing Wives: Interchangeable Women and Their Radical Escape in Le Bonheur and Gone Girl | 2018/05/30 | English | |
| A Hint of Industrial Espionage in the Eye: Orientalism, Essayism, and the Politics of Memory in Chris Marker'sSans Soleil | 2018/05/30 | English | |
| The Cinema, or the Egg: The Fowl Aesthetics of Alfred Hitchcock's Film Form | 2018/05/30 | English | |
| Animate Streets: Antonioni's Queer Spaces | 2018/06/01 | English | |
| Godard, Gorin, and Company | 2018/05/19 | English | |
| Repetition, Compulsion, and Matrimony inGroundhog Day, Matchstick Men, andWhat About Bob? | 2018/05/31 | English | |
| Practice Makes Imperfect: Technology and the Creative Imperfections of Jean-Luc Godard's Three-Dimensional (3D) Cinema | 2016/08/30 | English | |
| In Praise of the Regional Film Festival | 2016/07/13 | English | |
| First-Run and Cut-Rate: Universal-International and the Postwar Programmer | 2018/03/13 | English | |
| Hollywood's South Seas and the Pacific War: Searching for Dorothy Lamour, | 2016/06/20 | English | |
| First You Get the Money, Then You Get the Reviews, Then You Get the Internet Comments: A Quantitative Examination of the Relationship Between Critics, Viewers, and Box Office Success | 2016/04/28 | English | |
| Kelly Reichardt: Working Against the Grain | 2016/06/09 | English | |
| Scythian Rhapsody:The Red Shoes, Le Sacre du Printemps, Creative Youth and Regenerative Rage | 2016/12/05 | English | |
| Classical Cinema | 2016/11/16 | English | |
| Changing Representations of the Urban Poor in Korean Independent Cinema:MinjungHeroes, Atomized Paupers, and New Possibilities | 2016/11/16 | English | |
| Having a Moment and a Dream: Precious, Paris Is Burning, and the Necessity of Fantasy in Everyday Life | 2016/10/05 | English | |
| The Porn Star and the Polygraph: Linda Lovelace and the Truth of the Female Body | 2016/10/05 | English | |
| The Perils of Representation: Sandra Oh in Killing Eve | 2023/04/17 | English | |
| Interrogating “Marginality” in Bombay Cinema: An Exhaustive Historiography | 2023/06/04 | English | |
| Narrative Structures for the European Identity Crisis: Antiplot in Ulysses’ Gaze, A Talking Picture and Our Music | 2023/06/04 | English | |
| White Violence and the Pornography of Miscegenation in Disney’s Beauty and the Beast (2017) | 2023/12/14 | English | |
| Vicente Parra, Queer Star: Being a Sad Young Man in Spanish Classical Cinema | 2023/12/18 | English | |