| One Big Gray Area: The Paradox of Traumatic Memory inBlack Rain(1989) | 2015/11/25 | English | |
| Editorial Board EOV | 2015/10/29 | English | |
| Consumed: A Novel, by David Cronenberg (New York: Scribner, 2014) | 2015/10/29 | English | |
| TV Hybridity: Genre Mixing and Narrative Complexity inM*A*S*H | 2012/07/01 | English | |
| House of Cards: Postmodernism, the Star System, andCasino Royale | 2012/07/01 | English | |
| Mad About the Boy? Hollywood Stardom and Masculinity Subverted inThe Swimmer | 2012/07/01 | English | |
| A Review of “Urban Cinematics: Understanding Urban Phenomena through the Moving Image” | 2012/07/01 | English | |
| A Review of “Film Moments: Criticism, History, Theory” | 2012/07/01 | English | |
| A Review of “Tashlinesque: The Hollywood Comedies of Frank Tashlin” | 2012/07/01 | English | |
| History in Real Time: National Trauma and Narrative Synchrony inUnited 93andOut of the Blue | 2012/07/01 | English | |
| Brutal Intimacy: Analyzing Contemporary French Cinemaby Tim Palmer. Middletown, CT: Wesleyan UP, 2011 | 2014/10/28 | English | |
| Love Multiplied:Sister Wives, Polygamy, and Queering Heterosexuality | 2014/10/28 | English | |
| Quiet American Imperialism: Euro-American Masculinity, Interracial Desire, and the Logic of Masculinist Protection inThe Quiet American | 2014/12/20 | English | |
| Vampires Suck! Twihards Rule!!! Myth and Meaning in theTwilightSaga Franchise | 2014/12/20 | English | |
| Girls in the City: Chantal Akerman'sI Am Hungry, I Am Cold(1984) andPortrait of a Young Girl at the End of the 1960s in Brussels(1993) | 2014/12/20 | English | |
| The Luckiest Man: Errol Morris'sA Brief History of TimeandThe Pride of the Yankees | 2014/12/20 | English | |
| Cinema and Experienceby Miriam Hansen. Berkeley: University of California Press, 2011 | 2013/01/01 | English | |
| The Sentimental Drama: Nostalgia, Historical Trauma, and Spectatorship in 1940s Hollywood | 2012/10/01 | English | |
| A Review of “A Companion to Alfred Hitchcock” | 2012/10/01 | English | |
| A Review of “Michelangelo Red Antonioni Blue” | 2012/10/01 | English | |
| A Review of “Knockout: The Boxer and Boxing in American Cinema” | 2012/10/01 | English | |
| Parodying Paradise: When Mexican Buddy Films turn Rudo y Cursi | 2013/01/01 | English | |
| Metaphoric Architecture: Race and Real Estate inPanic RoomandThe People Under The Stairs | 2013/01/01 | English | |
| Asianness and Aboriginality in Australian Cinema | 2013/01/01 | English | |
| A Previously Unpublished Interview with Andrew Sarris, 1995 | 2013/01/01 | English | |
| Nostalgia and Modernity in Two Recent “Paris” Films | 2013/01/01 | English | |
| Phantom Cinema: Illuminating the Structuring Absences of Film History | 2013/01/01 | English | |
| Dismantling the Digital Dollhouse: Will Wright'sThe Simsand Virtual Consumption | 2013/01/01 | English | |
| Philip Kaufmanby Annette Insdorf | 2013/01/01 | English | |
| “A Moving-Picture of Democracy”: President Obama and African American Film History Beyond the Mirror Screen | 2013/01/01 | English | |