| Green Rays on Historical Horizons: The Filmic Refractions of Tacita Dean's The Green Ray and Éric Rohmer's Le Rayon vert | 2021/08/30 | English | |
| Documenting Multiculturalism in the US’s Most Heterogenous ‘Place’: Frederick Wiseman’s In Jackson Heights (2015) | 2021/09/30 | English | |
| Striking Out: Visual Space, Production Design, and Labor History in Joker | 2021/09/30 | English | |
| Subtle Serpent Symbolism within Cecil B. DeMille’sSamson and Delilah(1949) | 2021/08/19 | English | |
| Traversing Familial Interlocks: Debunking Gendered Space in Thappad and The Great Indian Kitchen | 2022/10/16 | English | |
| The Best of 2021 | 2022/01/02 | English | |
| Adare in the Underworld: Suspicious Characters, Discarded Histories | 2022/03/04 | English | |
| Young Film and Television Professionals: The Impact of Gender on Career Decision Self-Efficacy | 2022/03/07 | English | |
| 7th Heaven’s Seductive Role in the War on Terror | 2022/03/07 | English | |
| Strangers on a Train: Hitchcock’s Scientific Portrayal of Capitalist Society | 2022/02/02 | English | |
| Still Lives: Tableaux Vivants, Moving Images, and the Digital Uncanny | 2022/02/17 | English | |
| Bresson, Dostoevsky, Bakhtin: Adaptation as Intertextual Dialogue | 2003/01/01 | English | |
| Seeing Life in Disney's Mutual Affection-Images | 2013/10/01 | English | |
| Exploring the Urban Milieu: Billy Wilder, Four Films, and Two Cities in the United States, 1944–1960 | 2013/10/01 | English | |
| A Review of “What Dreams Were Made Of: Movie Stars of the 1940s” | 2013/05/01 | English | |
| A Review of “A Social History of Iranian Cinema, Volume I: The Artisanal Era, 1897–1941 and A Social History of Iranian Cinema, Volume II: The Industrializing Years, 1941–1978” | 2013/05/01 | English | |
| A Review of “The Gender and Media Reader” | 2013/05/01 | English | |
| A Review of “Flickers of Desire: Movie Stars of the 1910s” | 2013/05/01 | English | |
| A Review of “The DVD and the Study of Film: The Attainable Text” | 2013/05/01 | English | |
| A Review of “The Philosophy of David Lynch” | 2013/05/01 | English | |
| A Review of “Mike Leigh” | 2013/05/01 | English | |
| A Review of “Glamour in a Golden Age: Movie Stars of the 1930's” | 2013/05/01 | English | |
| Reversing Time's Arrow in Nam June Paik'sGuadalcanal Requiem | 2013/05/01 | English | |
| A Review of “Starring New York: Filming the Grime and the Glamour of the Long 1970s” | 2013/05/01 | English | |
| A Review of “Shot in Oklahoma: A Century of Sooner State Cinema” | 2013/05/01 | English | |
| A Review of “A ‘Toxic Genre’: The Iraq War Films” | 2013/05/01 | English | |
| A Review of “Hitchcock at the Source: The Auteur as Adaptor” | 2013/05/01 | English | |
| A Review of “The Philosophy of Steven Soderbergh” | 2013/05/01 | English | |
| A Review of “Hal Hartley” | 2013/05/01 | English | |
| A Review of “Television as Digital Media” | 2013/05/01 | English | |