| Semiotic Analysis of Julian Rosefeldt’s Manifesto | 2019/08/05 | English | |
| Causes of the Production Discontinuance of Iranian Films During 1937–1948 | 2019/08/02 | English | |
| Shiri (1999) and the Reunifying Korean Romantic Fantasy of Namnambungnyŏ | 2019/10/12 | English | |
| Something Out of Nothing: Or, the Essence of Cinema | 2019/10/25 | English | |
| Tren de Sombras: El Espectro de le Thuit: Memory, Genre and Film Technology | 2019/02/17 | English | |
| Restored, Revived, Resplendent | 2018/11/17 | English | |
| Film Rhythm and the Aporetics of Temporality | 2019/02/17 | English | |
| The Psychosocial Image | 2019/04/03 | English | |
| Manhattan of the 1970s: Between the Memory of the Underground and the Cinema of Gentrification | 2019/04/03 | English | |
| The Best of 2017 | 2018/04/03 | English | |
| A Real Swinger of a Nightmare: Frank Sinatra and the Grim Side of the WWII Veteran’s Story | 2019/05/22 | English | |
| Alternative Gazes, Aesthetics, and Affects inILove Dick | 2019/05/17 | English | |
| Weber, Smalley, and Company | 2018/07/04 | English | |
| Making a Meal of the Law: Hannibal, Taste and the Limits of Legality | 2018/08/18 | English | |
| Quality Television (TV) Eats Itself: The TV-Auteur and the Promoted Fanboy | 2018/08/18 | English | |
| Afterthoughts on “Queer Cannibals and Deviant Detectives,” Inspired byHannibalSeason 3 | 2018/08/18 | English | |
| Cannibalizing Montage: Slicing, Dicing, and Splicing in Bryan Fuller’sHannibal | 2018/08/18 | English | |
| The Best of 2019 | 2020/02/13 | English | |
| Mizoguchi, Melodrama, and the Psychology of Nature: Exploring Relationships Between Worlds in Kenji Mizoguchi’sMusashino Fujin(1951) | 2018/11/29 | English | |
| African Cinema and Human Rights | 2020/10/12 | English | |
| The Logic of the Cinematic in Portrait of a Lady on Fire | 2020/10/12 | English | |
| The Carriage Driver in the Pink Frame of Neorealism | 2020/07/01 | English | |
| The Film T-34 as a Pseudohistoric Drama | 2020/07/06 | English | |
| “Freeze Frame”: Reanimating the “Ice Men” of the Cinema | 2020/07/06 | English | |
| When Animals Take Over: The Post-Pandemic Backlash | 2020/06/05 | English | |
| Intimate Objects: Post-Network Television and the Object-Oriented Aesthetics of Breaking Bad | 2020/06/04 | English | |
| The Other in Game of Thrones: A Levinasian Ethical Reading | 2021/06/08 | English | |
| Hitchcockiana | 2021/05/28 | English | |
| Criterion’s Collections | 2021/05/31 | English | |
| Beyond Nazisploitation, or the Complications of Nazism: Cinematic Representations by Lars von Trier, Volker Schlöndorff, and Quentin Tarantino | 2021/06/08 | English | |