| The Hollywood Latina Body as Site of Social Sturggle: Media Constructions of Stardom and Jennifer Lopez's "Cross-over Butt" | 2002/01/01 | English | 38 |
| Gender and culture of empire: Toward a feminist ethnography of the cinema | 1991/01/01 | English | 30 |
| Sitcoms and suburbs: Positioning the 1950s homemaker | 1989/05/01 | English | 21 |
| Reconceptualizing national cinema/s | 1993/01/01 | English | 19 |
| Sanctity and scandal: The mythologization of mother India | 1989/10/01 | English | 17 |
| Speculations on the relationship between soap opera and melodrama | 1992/01/01 | English | 15 |
| “I Love You, Man”: Bromances, the Construction of Masculinity, and the Continuing Evolution of the Romantic Comedy | 2013/03/01 | English | 14 |
| Product Placement in Entertainment Industry: A Systematic Review | 2020/08/31 | English | 14 |
| The active eye: A phenomenology of cinematic vision | 1990/06/01 | English | 14 |
| Where Are the Film Directors (Who Happen to be Women)? | 2012/07/01 | English | 13 |
| The economy of desire: The commodity form in/of the cinema | 1989/05/01 | English | 12 |
| Film as experience: Phenomenological concepts in cinema and television studies | 1990/06/01 | English | 11 |
| More than a Man in a Monkey Suit: Andy Serkis, Motion Capture, and Digital Realism | 2011/07/01 | English | 11 |
| “Fighting the Good Fight:” The Real and the Moral in the Contemporary Hollywood Combat Film | 2005/10/01 | English | 10 |
| The actor as parallel text in Bombay cinema | 1989/10/01 | English | 10 |
| Surveying the surveilled: Video, space and subjectivity | 1992/01/01 | English | 10 |
| Film Noir's “Femme Fatales” Hard-Boiled Women: Moving Beyond Gender Fantasies | 2007/01/01 | English | 9 |
| Reconciling feminism and phenomenology: Notes on problems and possibilities, texts and contexts | 1990/06/01 | English | 9 |
| Why Saddam Is Gay: Masculinity Politics inSouth Park—Bigger, Longer, and Uncut | 2005/01/01 | English | 9 |
| Soldiers' Stories: Women and Military Masculinities in Courage Under Fire | 2002/01/01 | English | 8 |
| Supa Dupa Fly: Black Women As Cyborgs in Hiphop Videos | 2005/03/09 | English | 8 |
| The queen Christina tie‐ups: Convergence of show window and screen | 1989/05/01 | English | 8 |
| The Superhero Film Parody and Hegemonic Masculinity | 2016/01/13 | English | 8 |
| Consuming the Apocalypse, Marketing Bunker Materiality | 2016/03/16 | English | 8 |
| Acting His Age? The Resurrection of the 80s Action Heroes and their Aging Stars | 2010/07/02 | English | 8 |
| Ideological Portrayal and Perceptions of Homosexuality in Selected Nollywood Movies | 2020/01/21 | English | 7 |
| Divided, thus Conquered: The Troubled History of Exhibitor Trade Organizations, 1907–1928 | 2014/01/01 | English | 7 |
| The Difficult Job of Being a Girl: Key Themes and Narratives in Contemporary Western European Art Cinema by Women | 2017/08/08 | English | 7 |
| Intersubjective, Embodied, Evaluative Perception: A Phenomenological Approach to the Ethics of Film | 2002/01/01 | English | 7 |
| Creating an audience and remapping a nation: A brief history of US Spanish language broadcasting 1930–1980 | 1997/01/01 | English | 7 |